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| 003 | IT-RoAPU | ||
| 005 | 20221214234310.0 | ||
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_a10.1515/9781474463300 _2doi |
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| 035 | _a(DE-B1597)9781474463300 | ||
| 035 | _a(DE-B1597)615619 | ||
| 035 | _a(OCoLC)1312727407 | ||
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_a848/.91409 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aKiryushina, Galina _eautore |
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| 245 | 1 | 0 |
_aSamuel Beckett and Technology / _cGalina Kiryushina, Einat Adar, Mark Nixon. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2021 | |
| 300 |
_a1 online resource (288 p.) : _b2 B/W illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgements -- _tNotes on Contributors -- _tPreface -- _tIntroduction ‘Up to the neck in technical muck’: The Enduring Success of Beckett’s Technological Failures -- _tPart I Mechanical and Electrical Technologies -- _tChapter 1 The Unmaking of Homo Faber: Beckett and the Exhaustion of Technē -- _tChapter 2 The Permanent Way: Movement and Stasis in Beckett’s Railways -- _tChapter 3 ‘with the mechanics of which I am unfamiliar’: The Strangeness of Technology in Beckett -- _tChapter 4 Beckett and La Mettrie: From Man a Machine to Techno-Human Being -- _tChapter 5 Monadic Clocks in Samuel Beckett’s Quad: Decomposing the ‘dramatized taboo’ -- _tPart II Media Technologies and Intermediality -- _tChapter 6 Beckett’s Technography: Traces of Radio in the Later Prose -- _tChapter 7 Beckett’s Words and Music ‘or some other trouble’: Vaguening on the Airwaves -- _tChapter 8 ‘a medium for fleas’: Beckett, Mitrani and 1950s–1960s French Television Drama -- _tChapter 9 Beckett’s Multimedial Authorship: Language of Technology in the Genesis of Play and Film -- _tChapter 10 Beckett and Television: Anachronism as Innovation -- _tChapter 11 Making and Remaking Samuel Beckett’s What Where -- _tPart III Ideas of Technology -- _tChapter 12 Portals of Invention: A ‘techno-logical’ Reading of the Prometheus Figure in Beckett’s The Unnamable -- _tChapter 13 Technology and the Naive Artist: Beckett’s Krapp’s Last Tape -- _tChapter 14 Beckett’s Invisible Matter: Echo, Technology and Posthuman Affect -- _tChapter 15 Digital Poetics and Digital Hermeneutics in Beckett Studies: Toward a Manuscript Chronology -- _tCoda Viral Beckett -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aExplores Beckett’s engagement with various technologies throughout his artistic careerApproaches the topic of technology from multiple perspectives previously unexplored in Beckett criticismIntervenes in current debates within Beckett Studies and related fields of literary and cultural criticism by exploring matters of technicity, intermediality, post-humanism, and the digital ageConsiders previously unpublished material and employs digital manuscript tools to trace the significance of technology for BeckettThis collection of essays is the first comprehensive discussion of the role technology plays in shaping Beckett’s trademark aesthetics. Samuel Beckett and Technology assembles an innovative and diverse range of scholarly approaches to the topic, which collectively renegotiate our understanding of his work in prose, theatre, film, radio and television. What emerges from these discussions is the centrality of technology for Beckett’s creative imagination, a factor that is equally enabling as it is limiting. At the same time, the book reveals how theories of technology can yield new readings of the way Beckett responds to the conditions of technological modernity. As such, Beckett’s work is examined in its relation to historical and contemporary technologies, discourses of technicity and technē, post-humanism, and the digital age. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022) | |
| 650 | 0 | _aTechnology in literature. | |
| 650 | 4 | _aLiterary Studies. | |
| 650 | 7 |
_0(DE-588)4059276-5 _0(DE-627)104665335 _0(DE-576)209130180 _aTechnologie _2gnd |
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| 650 | 7 |
_aART / Film & Video. _2bisacsh |
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| 700 | 1 |
_aAdar, Einat _eautore |
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| 700 | 1 |
_aAsmus, Walter _eautore |
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| 700 | 1 |
_aBeloborodova, Olga _eautore |
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| 700 | 1 |
_aBignell, Jonathan _eautore |
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| 700 | 1 |
_aBird, Dúnlaith _eautore |
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| 700 | 1 |
_aBorg, Ruben _eautore |
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| 700 | 1 |
_aD’Arcy, Michael _eautore |
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| 700 | 1 |
_aHulle, Dirk Van _eautore |
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| 700 | 1 |
_aJeffery, Lucy _eautore |
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| 700 | 1 |
_aJohnson, Nicholas _eautore |
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| 700 | 1 |
_aKiryushina, Galina _eautore |
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| 700 | 1 |
_aMori, Naoya _eautore |
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| 700 | 1 |
_aNixon, Mark _eautore |
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| 700 | 1 |
_aThobois, Céline _eautore |
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| 700 | 1 |
_aThoelen, Thomas _eautore |
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| 700 | 1 |
_aVerhulst, Pim _eautore |
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| 700 | 1 |
_aWeller, Shane _eautore |
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| 700 | 1 |
_aWhelan, Feargal _eautore |
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| 700 | 1 |
_aZilliacus, Clas _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474463300 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474463300 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474463300/original |
| 942 | _cEB | ||
| 999 |
_c217379 _d217379 |
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