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| 001 | 217414 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234312.0 | ||
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| 008 | 220302t20222006stk fo d z eng d | ||
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_a9780748612123 _qprint |
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_a9781474464475 _qPDF |
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_a10.1515/9781474464475 _2doi |
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| 035 | _a(DE-B1597)9781474464475 | ||
| 035 | _a(DE-B1597)615461 | ||
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_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aART003000 _2bisacsh |
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| 082 | 0 | 4 |
_a745.61091767 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBlair, Sheila _eautore |
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| 245 | 1 | 0 |
_aIslamic Calligraphy / _cSheila Blair. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2006 | |
| 300 |
_a1 online resource (736 p.) : _b100 B/W illustrations 150 colour illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_tFrontmatter -- _tContents -- _tFigures -- _tAbbreviations -- _tGlossary -- _tPreface -- _tPart I: Introduction -- _tChapter One. Arabic Script: Its Role and Principles -- _tChapter Two. Materials -- _tPart II: The Development of Arabic Script in Early Islamic Times -- _tChapter Three. The Standardization of Arabic Script -- _tChapter Four. Early Manuscripts of the Koran -- _tPart III: The Pre-eminence of Round Scripts in the Early Middle Period -- _tChapter Five. The Adoption of Round Scripts -- _tChapter Six. The Proliferation of Round Scripts -- _tPart IV: The Emergence of Regional Styles in the Later Middle Period -- _tChapter Seven. Calligraphy in Iran and its Environs under the Mongols and Turkomans -- _tChapter Eight. Rectilinear and Curvilinear Scripts in Egypt and Syria under the Mamluks -- _tChapter Nine. Other Styles and Centers -- _tPart V: Dynastic Styles in the Age of Empires -- _tChapter Ten. The Safavids, the Qajars, and their Contemporaries in Iran and Central Asia -- _tChapter Eleven. The Ottomans in Anatolia, the Balkans, and the Eastern Mediterranean -- _tChapter Twelve. Other Styles and Centers -- _tPart VI: The Many Faces of Islamic Calligraphy in Modern Times -- _tChapter Thirteen. From Traditional Styles to Graphic Design and Calligraphic Art -- _tBibliography -- _tCopyright Acknowledgments -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aJoint Winner of the 2007 British-Kuwait Friendship Society Prize for Middle Eastern StudiesWinner of 2008 World Prize for Book of the Year by the Iranian Ministry of Culture and Islamic GuidanceSelected as a 2007 CHOICE Outstanding Academic TitleThis stunning book is an important contribution to a key area of non-western art, being the first reference work on the art of beautiful writing in Arabic script.The extensive use of writing is a hallmark of Islamic civilization. Calligraphy, the art of beautiful writing, became one of the main methods of artistic expression from the seventh century to the present in almost all regions from the far Maghrib, or Islamic West, to India and beyond. Arabic script was adopted for other languages from Persian and Turkish to Kanembu and Malay. Sheila S. Blair's groundbreaking book explains this art form to modern readers and shows them how to identify, understand and appreciate its varied styles and modes. The book is designed to offer a standardized terminology for identifying and describing various styles of Islamic calligraphy and to help Westerners appreciate why calligraphy has long been so important in Islamic civilization.The argument is enhanced by the inclusion of more than 150 colour illustrations, as well as over a hundred black-and-white details that highlight the salient features of the individual scripts and hands. Examples are chosen from dated or datable examples with secure provenance, for the problem of forgeries and copies (both medieval and modern) is rampant. The illustrations are accompanied by detailed analyses telling the reader what to look for in determining both style and quality of script.This beautiful new book is an ideal reference for anyone with an interest in Islamic art.Key Features:Written by the world's leading expert on Islamic calligraphyIncludes c.150 colour illustrationsComprehensive: covers the art of calligraphy throughout Isla | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | _aIslamic calligraphy. | |
| 650 | 0 | _aIslamic civilization. | |
| 650 | 4 | _aIslamic Studies. | |
| 650 | 7 |
_aART / Techniques / Calligraphy. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474464475 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474464475 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474464475/original |
| 942 | _cEB | ||
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_c217414 _d217414 |
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