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001			217507
003			IT-RoAPU
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008			220302t20222001stk fo d z eng d
020			_a9780748612888 _qprint
020			_a9781474467810 _qPDF
024	7		_a10.1515/9781474467810 _2doi
035			_a(DE-B1597)9781474467810
035			_a(DE-B1597)615245
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aML2075 _b.F453 2001b
072		7	_aPER004030 _2bisacsh
082	0	4	_a781.542 _221
084			_aonline - DeGruyter
100	1		_aDonnelly, Kevin J. _eautore
245	1	0	_aFilm Music : _bCritical Approaches / _cKevin J. Donnelly.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2001
300			_a1 online resource (224 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgements -- _tIntroduction: The Hidden Heritage of Film Music: History and Scholarship -- _t1 Analytical and Interpretive Approaches to Film Music (1): Analysing the Music -- _t2 Analytical and Interpretive Approaches to Film Music (II): Analysing Interactions of Music and Film -- _t3 'In the Mix': How Electrical Reproducers Facilitated the Transition to Sound in British Cinemas -- _t4 King Kong and Film on Music: Out of the Fog -- _t5 The Dies Irae in Citizen Kane: Musical Hermeneutics Applied to Film Music -- _t6 The Documentary Film Scores of Gail Kubik -- _t7 Embracing Kitsch: Werner Schroeter, Music and The Bomber Pilot -- _t8 Performance and the Composite Film Score -- _t9 Sound and Empathy: Subjectivity, Gender and the Cinematic Soundscape -- _t10 'Would You Like to Hear Some Music?' Music in-and-out-of-control in the Films of Quentin Tarantino -- _tContributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFor something we often barely notice music in films is usually highly effective. It creates tension, elicits emotion and is undoubtedly one of the most important aspects of the cinematic experience. Upon closer inspection, it can be seen that film music is highly complex and artful, not only having immediate emotional impact but also comprising some of the most outstanding music produced in the twentieth century.Bringing together some of the most influential international scholars on the subject, this anthology provides a detailed, diverse and accessible perspective on music in the cinema. As well as chapters on the techniques and views of film music and on film music scholarship, the book embraces topics as diverse as Bernard Herrmann's music for Welles's Citizen Kane, the use of discs to accompany silent films and gender and the cinematic soundscape.Key FeaturesAn original collection of essays on film music in the twentieth centuryThe Introduction provides a historical perspective on the art of film musicBrings together a wide range of approaches to film music
530			_aIssued also in print.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aMotion picture music _xHistory and criticism.
650		4	_aFilm, Media & Cultural Studies.
650		7	_aPERFORMING ARTS / Film & Video / History & Criticism. _2bisacsh
700	1		_aAllen, Michael _eautore
700	1		_aBuhler, James _eautore
700	1		_aCochran, Alfred W. _eautore
700	1		_aDonnelly, K. J. _eautore
700	1		_aFlinn, Caryl _eautore
700	1		_aFranklin, Peter _eautore
700	1		_aGarner, Ken _eautore
700	1		_aNeumeyer, David _eautore
700	1		_aRosar, William H. _eautore
700	1		_aStilwell, Robynn J. _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474467810
856	4	0	_uhttps://www.degruyter.com/isbn/9781474467810
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474467810/original
942			_cEB
999			_c217507 _d217507