000 03644nam a22004815i 4500
001 217615
003 IT-RoAPU
005 20221214234320.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220629t20222002stk fo d z eng d
020 _a9780748616831
_qprint
020 _a9781474469395
_qPDF
024 7 _a10.1515/9781474469395
_2doi
035 _a(DE-B1597)9781474469395
035 _a(DE-B1597)615091
035 _a(OCoLC)1302162166
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLIT000000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aHumm, Maggie
_eautore
245 1 0 _aModernist Women and Visual Cultures :
_bVirginia Woolf, Vanessa Bell, Photography and Cinema /
_cMaggie Humm.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2002
300 _a1 online resource (256 p.) :
_b45 Plates, black & white
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tList of Figures --
_tPreface and acknowledgements --
_t1. Modernism, gender, photography and Virginia Woolf’s ‘Portraits’ --
_t2. Matrixial memories: Virginia Woolf’s photo albums --
_t3. Modernism, the maternal and the erotic: Vanessa Bell’s photo albums --
_t4. Modernism, cinema, gender and Borderline --
_t5. Modernist Women and Cinema --
_t6. Memory, photography and modernism: Virginia Woolf’s Three Guineas --
_t7. Afterword and Woolf’s essays on modernism --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aAn exploration of modernist women's distinctive role in domestic and cinema arts in the context of current debates about gender and modernism.Photographs, particularly domestic photos of family and friends, taken by Virginia Woolf and Vanessa Bell form the centrepiece of this delightful book. Many rare and intimate images discovered among the archive collections of their photographs are published here for the first time and are analysed in relation to contemporary photographic and cinematic practice. Discussion of the cinema writings of Colette, H.D., Dorothy Richardson, Gertrude Stein, Virginia Woolf and Bryher and the role of the visual in Virginia Woolf's Three Guineas also feature in Maggie Humm's consideration of women and visual culture.This new approach to modernist visual aesthetics draws on a range of photographic, psychoanalytic and visual theory, on modernist criticism and on extensive, original archive research. The concern in the book with women's ways of looking as well as an assessment of how gendered subjectivities are visually constructed will be crucial to rethinking modernist aesthetics.Illustrated with 45 black and white plates, including several complete pages from photo albums, from sources including Virginia Woolf's 'Monk's House Albums', the 'Leslie Stephen Photograph Album' and Vanessa Bell's 'Albums'.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 4 _aLiterary Studies.
650 7 _aLITERARY CRITICISM / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781474469395
856 4 0 _uhttps://www.degruyter.com/isbn/9781474469395
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781474469395/original
942 _cEB
999 _c217615
_d217615