| 000 | 03462nam a22005055i 4500 | ||
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| 001 | 217617 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234320.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 220629t20222002stk fo d z eng d | ||
| 020 |
_a9780748614165 _qprint |
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| 020 |
_a9781474469418 _qPDF |
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| 024 | 7 |
_a10.1515/9781474469418 _2doi |
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| 035 | _a(DE-B1597)9781474469418 | ||
| 035 | _a(DE-B1597)615567 | ||
| 035 | _a(OCoLC)1306539282 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aPER004000 _2bisacsh |
|
| 082 | 0 | 4 |
_a791.4361640973 _222 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aHumphries, Reynold _eautore |
|
| 245 | 1 | 4 |
_aThe American Horror Film : _bAn Introduction / _cReynold Humphries. |
| 264 | 1 |
_aEdinburgh : _bEdinburgh University Press, _c[2022] |
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| 264 | 4 | _c©2002 | |
| 300 | _a1 online resource (224 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tCONTENTS -- _tLIST OF ILLUSTRATIONS -- _tINTRODUCTION -- _tPart I CLASSIC HORROR -- _t1 FIGURES IN A GOTHIC LANDSCAPE -- _t2 VARIATIONS ON A THEME -- _t3 VAL LEWTON PRODUCTIONS -- _t4 NUCLEAR AND OTHER HORRORS -- _tPart II MODERN HORROR -- _t5 THE CHANGING FACE OF HORROR -- _t6 DIRECTORS AND DIRECTIONS -- _t7 SLASHERS, SERIAL KILLERS AND THE 'FINAL GIRL' -- _t8 DAVID CRONENBERG AND SPECIAL EFFECTS -- _tCONCLUSION: WHERE DO WE GO FROM HERE? -- _tFILMOGRAPHY -- _tBIBLIOGRAPHY -- _tINDEX |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aGBS_insertPreviewButtonPopup('ISBN:9780748614165); The various characters that recur in horror films - Dracula, Frankenstein, Dr Jekyll, the Mummy, the Werewolf - are discussed, as are repeated themes such as the mad scientist, nuclear anxiety, psychological 'monsters', the living dead, and 'slasher' movies. Key directors including Jacques Tourneur, David Cronenberg, Roger Corman and Joe Dante are covered.The emphasis is on accessibility: while theory is included through reference to gender and politics, women's studies and psychoanalysis, it is introduced carefully and in direct relation to the films being discussed. No prior knowledge of the subject area is assumed. An extensive Filmography is included and reference is made at the appropriate point to the most pertinent writing on horror. Overall, this is an ideal introduction to the area for all students and general readers interested in the American horror film.Key FeaturesIncludes 10 film stillsCovers major films such as King Kong, Little Shop of Horrors, Psycho, The Exorcist, The Omen and I Know What You Did Last SummerOnly up-to-date textbook on the subject" | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022) | |
| 650 | 0 |
_aHorror films _zUnited States _xHistory and criticism. |
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| 650 | 4 | _aFilm, Media & Cultural Studies. | |
| 650 | 7 |
_aPERFORMING ARTS / Film & Video / General. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781474469418 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781474469418 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474469418/original |
| 942 | _cEB | ||
| 999 |
_c217617 _d217617 |
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