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020 _a9781474417945
_qprint
020 _a9781474470346
_qPDF
024 7 _a10.1515/9781474470346
_2doi
035 _a(DE-B1597)9781474470346
035 _a(DE-B1597)615076
035 _a(OCoLC)1306538494
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004010
_2bisacsh
082 0 4 _a791.430233092
_223
084 _aonline - DeGruyter
100 1 _aLübecker, Nikolaj
_eautore
245 1 0 _aJames Benning's Environments :
_bPolitics, Ecology, Duration /
_cNikolaj Lübecker, Daniele Rugo.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2017
300 _a1 online resource (192 p.) :
_b20 colour illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tList of Figures --
_tNotes on the Contributors --
_tAcknowledgments --
_tIntroduction --
_tContributors --
_tIntellectual Environments --
_tSurveying James Benning --
_tUtah and the Times: Governing Temporality in Deseret --
_tViolence and Landscape in the Films of James Benning --
_tMaterial Environments --
_tConstructing the Transversal Time-image: Ecosophy, Immanence, and Corporate “Land” in James Benning’s Four Corners and California Trilogy --
_tMen in Huts in Woods: Independence, Transcendentalism, and Technology in James Benning’s Thoreau and Kaczynski Documentaries and Exhibition --
_tThe Earth as Material Film: Benning’s Light Glance Making a Material-Image --
_tPerceptual Environments --
_tA Lake-Event --
_tDefacing the Close-Up --
_tThe Adventure of Patience --
_tFilmography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aA critical exploration of James Benning’s films, the material environments they explore and the perceptual environments they createFor more than forty years, the experimental filmmaker James Benning has been engaged in a systematic investigation of the relations between man, landscape, and the filmic medium, and during the last decade it has become increasingly clear how much these investigations have to offer to contemporary debates about ecology, the age of the anthropocene and the potentialities of new digital technologies. In James Benning’s Environments a range of international scholars highlight the thematic and formal coherence of Benning’s practice, whilst providing readers with an artistic and historical context to understand his experimental film work. The volume offers a number of interpretative frameworks drawing on film theory, environmental humanities, visual culture and philosophy, explaining why Benning has emerged as one of today’s essential filmmakers.Key FeaturesContextualises Benning’s work in relation to the most important artistic and socio-historical influences on his filmmakingAnalyses Benning as an eco-filmmaker with perspectives from environmental studies and eco-cinemaOffers philosophical approaches to Benning’s films in view of their aesthetic, political and epistemological import
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 0 _aEcocriticism.
650 0 _aEcology in motion pictures.
650 0 _aEnvironmentalism in motion pictures.
650 4 _aFilm, Media & Cultural Studies.
650 7 _aPERFORMING ARTS / Film & Video / Direction & Production.
_2bisacsh
700 1 _aBeck, John
_eautore
700 1 _aBiagioli, Kriss
_eautore
700 1 _aColman, Felicity
_eautore
700 1 _aConley, Tom
_eautore
700 1 _aGardner, Colin
_eautore
700 1 _aLübecker, Nikolaj
_eautore
700 1 _aMacDonald, Scott
_eautore
700 1 _aPanse, Silke
_eautore
700 1 _aRugo, Daniele
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781474470346
856 4 0 _uhttps://www.degruyter.com/isbn/9781474470346
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781474470346/original
942 _cEB
999 _c217671
_d217671