000 04378nam a22006495i 4500
001 217808
003 IT-RoAPU
005 20221214234327.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220629t20222005stk fo d z eng d
020 _a9780748620357
_qprint
020 _a9781474472166
_qPDF
024 7 _a10.1515/9781474472166
_2doi
035 _a(DE-B1597)9781474472166
035 _a(DE-B1597)616833
035 _a(OCoLC)1076691699
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aPER004030
_2bisacsh
084 _aonline - DeGruyter
100 1 _aRombes, Nicholas
_eautore
245 1 0 _aNew Punk Cinema /
_cNicholas Rombes.
264 1 _aEdinburgh :
_bEdinburgh University Press,
_c[2022]
264 4 _c©2005
300 _a1 online resource (224 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aTraditions in World Cinema : TWC
505 0 0 _tFrontmatter --
_tContents --
_tNotes on the contributors --
_tAcknowledgements --
_tIntroduction --
_tPart I Backgrounds and contexts --
_t1. Punk cinema --
_t2 Italian Neo-realist influences --
_t3 The french nee wave: new again --
_t4 Sincerity and irony --
_tPart II Screening new punk cinema --
_t5 DVD and the new cinema complexity --
_t6 Digital technologies and the poetics of performance --
_t7 Navigating chaos --
_t8 Non-linear narrative --
_t9 Making it real --
_tPart III Case studies --
_t10 Dogma brothers: Lars von Trier an Thomas Vinterberg --
_t11 Mike Figgis: time code and the screen --
_t12 What was the neo-underground and what wasn't: a first reconsideration of Harmony Korine --
_t13 Repo man: reclaiming the spirit of punk with Alex Cox --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aNew Punk Cinema is the first book to examine a new breed of film that is indebted to the punk spirit of experimentation, do-it-yourself ethos, and an uneasy, often defiant relationship with the mainstream. An array of established and emerging scholars trace and map the contours of new punk cinema, from its roots in neorealism and the French New Wave, to its flowering in the work of Lars von Trier and the Dogma 95 movement. Subsequent chapters explore the potentially democratic and even anarchic forces of digital filmmaking, the influences of hypertext and other new media, the increased role of the viewer in arranging and manipulating the chronology of a film, and the role of new punk cinema in plotting a course beyond the postmodern. The book examines a range of films, including The Blair Witch Project, Time Code, Run Lola Run, Memento, The Celebration, Gummo, and Requiem for a Dream.New Punk Cinema is ideal for classroom use at the undergraduate and graduate levels, as well as for film scholars interested in fresh approaches to the emergence of this vital new turn in cinema.Key FeaturesOffers a comprehensive examination of the term 'new punk' cinema.Provides several new approaches for the study of digital cinema.Includes close analysis of several key new punk films and directors.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jun 2022)
650 4 _aFilm, Media & Cultural Studies.
650 7 _aPERFORMING ARTS / Film & Video / History & Criticism.
_2bisacsh
700 1 _aChaudhuri, Shohini
_eautore
700 1 _aDugdale, Timothy
_eautore
700 1 _aGaggi, Silvio
_eautore
700 1 _aHalligan, Benjamin
_eautore
700 1 _aHarper, Graeme
_eautore
700 1 _aIsaacs, Bruce
_eautore
700 1 _aLessard, Bruno
_eautore
700 1 _aMcRoy, Jay
_eautore
700 1 _aMendik, Xavier
_eautore
700 1 _aRombes, Nicholas
_eautore
700 1 _aRubio, Steven
_eautore
700 1 _aThompson, Stacy
_eautore
700 1 _aVerevis, Constantine
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781474472166?locatt=mode:legacy
856 4 0 _uhttps://www.degruyter.com/isbn/9781474472166
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781474472166/original
942 _cEB
999 _c217808
_d217808