000			04070nam a22005655i 4500
001			217924
003			IT-RoAPU
005			20230501182158.0
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008			230127t20222020stk fo d z eng d
020			_a9781474474603 _qprint
020			_a9781474474627 _qPDF
024	7		_a10.1515/9781474474627 _2doi
035			_a(DE-B1597)9781474474627
035			_a(DE-B1597)615310
035			_a(OCoLC)1306538191
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aART037000 _2bisacsh
084			_aonline - DeGruyter
100	1		_aKosick, Rebecca _eautore
245	1	0	_aMaterial Poetics in Hemispheric America : _bWords and Objects 1950-2010 / _cRebecca Kosick.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2020
300			_a1 online resource (240 p.) : _b45 colour illustrations 45 colour illustrations with 1 x 4pp colour plate section
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tList of figures -- _tAcknowledgements -- _tIntroduction: How Poetry Matters -- _t1. The Autonomous Object of Concrete Poetry -- _t2. Sensation, Relation and Neoconcrete Poetics -- _t3. Assembling La nueva novela: Juan Luis Martínez and a Material Poetics of Relation -- _t4. Concrete USA: Building Ronald Johnson’s ARK -- _t5. Lyrica l Matters and Posthuman Poetics in Anne Carson’s Nox -- _tCoda: The Subject of the Material Poem -- _tBibliography -- _tIndex -- _tPlates
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aReconsiders the lyrical norm that predominates in Anglophone accounts of poetry through a multilingual and transnational lensA bold project that departs from a tradition heavily dominated by the lyric to question the very nature of what counts as poetry.A visually exciting text that draws on poetry and art from a wide array of late twentieth and early twenty-first century practitioners.An interdisciplinary approach to poetry and poetics that opens new avenues for understanding how poetry intersects with philosophies of the object, media theory, and visual studies.A transnational frame that responds to a growing scholarly push to situate American studies within the broader context of the American hemisphere.This book examines poets and artists in the Americas during the late twentieth and early twenty-first centuries to show how they worked to make language into material objects and material objects into language. It builds a theory of ‘material poetics’ that provides an alternative account of poetry in hemispheric America. Rebecca Kosick argues that by reframing American poetry to prominently include object-oriented practices within and beyond the United States, material poetry can be seen as representing a significant branch of the American poetic tradition.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
650		0	_aAmerican literature _xHistory and criticism _xTheory, etc.
650		0	_aAmerican poetry _y20th century _xHistory and criticism.
650		0	_aAmerican poetry _y21st century _xHistory and criticism.
650		0	_aLatin American literature _xHistory and criticism _xTheory, etc.
650		0	_aLatin American poetry _y20th century _xHistory and criticism.
650		0	_aLatin American poetry _y21st century _xHistory and criticism.
650		0	_aMaterialism in literature.
650		4	_aLiterary Studies.
650		7	_aART / Art & Politics. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474474627
856	4	0	_uhttps://www.degruyter.com/isbn/9781474474627
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474474627/original
942			_cEB
999			_c217924 _d217924