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001			217977
003			IT-RoAPU
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008			221201t20222021stk fo d z eng d
020			_a9781474478878 _qPDF
024	7		_a10.1515/9781474478878 _2doi
035			_a(DE-B1597)9781474478878
035			_a(DE-B1597)618304
035			_a(OCoLC)1338020151
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN1998.3.A48 _bL38 2021eb
072		7	_aPER004010 _2bisacsh
082	0	4	_a791.4302/3092 _223
084			_aonline - DeGruyter
245	0	0	_aRefocus: The Later Films and Legacy of Robert Altman / _ced. by Lisa Dombrowski, Justin Wyatt.
264		1	_aEdinburgh : _bEdinburgh University Press, _c[2022]
264		4	_c©2021
300			_a1 online resource (280 p.) : _b25 B/W illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aReFocus: The American Directors Series : RFADS
505	0	0	_tFrontmatter -- _tContents -- _tList of Figures -- _tNotes on Contributors -- _tAcknowledgments -- _tIntroduction: Autumnal Altman—Rethinking his Last Quarter Century -- _tPart I The Creative Process -- _tFigure I.1 Robert Altman on the set of Short Cuts. Photo by Joyce Rudolph. Courtesy of Special Collections Research Center, University of Michigan Library -- _t1 I Yam What I Yam What I Yam: Altman and the Transpositional Poetics of Popeye -- _t2 For Real: Tanner ’88, Tanner on Tanner, and the Political Spectacle in the Post-Network Era -- _t3 Home-makers: Examining the Altmans’ Place-based Production Practices in Cookie’s Fortune -- _t4 A Perfect Couple: The Altman–Rudolph Connection -- _t5 Unmade Altman: What the Archive Tells Us -- _tPart II Industrial Frameworks -- _tFigure II.1 Storyboard of the storm sequence in Dr. T & the Women. Courtesy of Special Collections Research Center, University of Michigan Library. -- _t6 Offbeat and Out of Sync: Popeye and the Failure of an Auteur-Driven Franchise -- _t7 “Here Comes the Hot-Stepper”: The Hollywood Renaissance, Indie Film, and Robert Altman’s Comeback in the 1990s -- _t8 “I Fiddle on the Corner Where They Throw the Coins”: Altman’s Brand in Europe -- _tPart III New Perspectives on Altman -- _tFigure III.1 Robert Altman on the set of Dr. T & the Women. Photo by Zade Rosenthal. Courtesy of Special Collections Research Center, University of Michigan Library -- _t9 Fantasies and Fangirls: Gender and Sexuality in Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean -- _t10 Countering Robert Altman’s Sexual Outlaws: Visibility, Representation, and Questionable Social Progress -- _t11 The Affection of Death -- _tPart IV Collaborator Interviews -- _tFigure IV.1 Stephen Rea in Prêt-à-Porter as drawn by fashion illustrator Gladys Perint Palmer. Courtesy of Special Collections Research Center, University of Michigan Library -- _t12 Allan F. Nicholls -- _t13 Alan Rudolph -- _t14 Ira Deutchman -- _t15 Matthew Seig -- _t16 Wren Arthur -- _t17 Joshua Astrachan -- _t18 Anne Rapp -- _t19 Andrew Dunn -- _t20 Mitchell Zuckoff -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aExamines an under-analysed period of Robert Altman’s careerProvides new critical perspectives on the Altman oeuvreFeatures original interviews with key Altman collaboratorsOffers case studies of Popeye, Tanner ‘88, Come Back to the Five & Dime, Jimmy Dean, Jimmy Dean, Cookie’s Fortune and A Prairie Home Companion, among othersIlluminating the industrial, cultural and aesthetic significance of the later years of one of American cinema’s most influential auteurs, this anthology combines scholarly essays, original interviews with Robert Altman’s collaborators and previously unseen photographs from the Robert Altman Papers held at the Special Collections Research Center, University of Michigan Library. The book considers post-1970s Altman as a way to rethink and reconceive his authorship, expanding our understanding of the development of Altman’s personal aesthetic and production practices; his adaptation of existing source material; the representation of sex, gender and identity in his films; his relation to the changing landscape of American independent cinema; and his unfinished projects. Interviews with key Altman collaborators like Alan Rudolph, Ira Deutchman and Anne Rapp highlight their contributions to Altman’s career. Rather than place aside the extensive work on Robert Altman to date, this comprehensive book offers texture and depth to previous ways of thinking about Altman’s creativity and contribution to American cinema.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Dez 2022)
650		0	_aMotion picture producers and directors _zUnited States.
650		4	_aFilm, Media & Cultural Studies.
650		7	_aPERFORMING ARTS / Film & Video / Direction & Production. _2bisacsh
700	1		_aAnderson, Tim J. _eautore
700	1		_aDombrowski, Lisa _eautore _ecuratore
700	1		_aHallman, Philip _eautore
700	1		_aKolker, Robert P. _eautore
700	1		_aKoob, Nathan _eautore
700	1		_aMinett, Mark _eautore
700	1		_aNess, Richard R. _eautore
700	1		_aSinwell, Sarah E. S. _eautore
700	1		_aTryon, Chuck _eautore
700	1		_aTzioumakis, Yannis _eautore
700	1		_aWyatt, Justin _eautore _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.1515/9781474478878
856	4	0	_uhttps://www.degruyter.com/isbn/9781474478878
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781474478878/original
942			_cEB
999			_c217977 _d217977