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008 220426t20211985txu fo d z eng d
020 _a9781477306215
_qPDF
024 7 _a10.7560/703674
_2doi
035 _a(DE-B1597)9781477306215
035 _a(DE-B1597)588053
035 _a(OCoLC)1286808839
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aREL000000
_2bisacsh
082 0 4 _a297.1/224045
084 _aonline - DeGruyter
100 1 _aNelson, Kristina
_eautore
245 1 4 _aThe Art of Reciting the Qur'an /
_cKristina Nelson.
264 1 _aAustin :
_bUniversity of Texas Press,
_c[2021]
264 4 _c©1985
300 _a1 online resource (270 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tTranscription Tables --
_tAcknowledgments --
_tIntroduction --
_t1. The Text: The Qur'an --
_t2. Tajwid --
_t3. The Sama' Polemic --
_t4. The Ideal Recitation of the Qur'an Issues --
_t5. The Sound of Qur'anic Recitation --
_t6. Maintaining the Ideal Recitation of the Qur'an --
_t7. Overlap and Separation: The Dynamics of Perception and Response --
_tConclusion --
_tAppendix A. Consultants --
_tAppendix B. The Seven Ahruf and the Qira'at --
_tNotes --
_tSelected Bibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aFor the Muslim faithful, the familiar sound of the Qurʾanic recitation is the predominant and most immediate means of contact with the Word of God. Heard day and night, on the street, in taxis, in shops, in mosques, and in homes, the sound of recitation is far more than the pervasive background music of daily life in the Arab world. It is the core of religious devotion, the sanctioning spirit of much cultural and social life, and a valued art form in its own right. Participation in recitation, as reciter or listener, is itself an act of worship, for the sound is basic to a Muslim’s sense of religion and invokes a set of meanings transcending the particular occasion. For the most part, Westerners have approached the Qurʾan much as scriptural scholars have studied the Bible, as a collection of written texts. The Art of Reciting the Qurʾan aims at redirecting that focus toward a deeper understanding of the Qurʾan as a fundamentally oral phenomenon. By examining Muslim attitudes toward the Qurʾan, the institutions that regulate its recitation, and performer-audience expectations and interaction, Kristina Nelson, a trained Arabist and musicologist, casts new light on the significance of Qurʾanic recitation within the world of Islam. Her landmark work is of importance to all scholars and students of the modern Middle East, as well as ethnomusicologists, anthropologists, linguists, folklorists, and religious scholars.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650 0 _aQurʼan-Recitation.
650 7 _aRELIGION / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7560/703674
856 4 0 _uhttps://www.degruyter.com/isbn/9781477306215
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781477306215/original
942 _cEB
999 _c218392
_d218392