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001			218464
003			IT-RoAPU
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008			211027t20212016txu fo d z eng d
010			_a2015028441
020			_a9781477308905 _qPDF
024	7		_a10.7560/759466 _2doi
035			_a(DE-B1597)9781477308905
035			_a(DE-B1597)588235
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aML420.M1387 _bS46 2016
050		4	_aML420.M1387 _bS46 2016
072		7	_aSOC022000 _2bisacsh
082	0	4	_a782.42166092 _223
084			_aonline - DeGruyter
100	1		_aSimone, Alina _eautore
245	1	0	_aMadonnaland : _bAnd Other Detours into Fame and Fandom / _cAlina Simone.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©2016
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tONE. Conspiracy in Bay City, or, Why is Madonna’s birthplace the last place in America where she is actively controversial? -- _tTWO. Seeking Refuge from ’80s Rock, or, Was Madonna actually an outsider artist? -- _tTHREE. Magical Contagion, or, What happens to Madonna’s lonely mountain of stuff after she dies? -- _tFOUR. Madonna Misconstrued, or, Getting the hell into Michigan -- _tFIVE. Mystery of the Mondegreen, or, Who was the first band to smuggle the word “masturbate” onto the Billboard top 100? -- _tSIX. Flying Wedge, or, Could a band with three fans be (another) missing link between hard rock and punk? -- _tEpilogue -- _tThanks
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aWhen Alina Simone agreed to write a book about Madonna, she thought it might provide an interesting excuse to indulge her own eighties nostalgia. Wrong. What Simone discovered instead was a tidal wave of already published information about Madonna—and her own ambivalence about, maybe even jealousy of, the Material Girl’s overwhelming commercial success. With the straight-ahead course stymied, Simone set off on a quirky detour through the backroads of celebrity and fandom and the people who love or loathe Madonna. In this witty, sometimes acerbic, always perceptive chronicle, Simone begins by trying to understand why Madonna’s birthplace, Bay City, Michigan, won’t even put up a sign to celebrate its most famous citizen, and ends by asking why local bands who make music that’s authentic and true can disappear with barely a trace. In between, she ranges from Madonna fans who cover themselves with tattoos of the singer’s face and try to make fortunes off selling her used bustiers and dresses, to Question Mark and the Mysterians—one-hit wonders best known for “96 Tears”—and Flying Wedge, a Detroit band that dropped off an amazing two-track record in the office of CREEM magazine in 1972 and vanished, until Simone tracked it down. Filled with fresh insights about the music business, fandom, and what it takes to become a superstar, Madonnaland is as much a book for people who, like Simone, prefer “dark rooms, coffee, and state-subsidized European films filled with existential despair” as it is for people who can’t get enough of Madonna.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)
650		0	_aMadonna, 1958-.
650		0	_aSingers _zUnited States _vBiography.
650		7	_aSOCIAL SCIENCE / Popular Culture. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/759466
856	4	0	_uhttps://www.degruyter.com/isbn/9781477308905
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781477308905/original
942			_cEB
999			_c218464 _d218464