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020			_a9781477311943 _qPDF
024	7		_a10.7560/310908 _2doi
035			_a(DE-B1597)9781477311943
035			_a(DE-B1597)588723
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPN1996 _b.O49 2016eb
072		7	_aPER004050 _2bisacsh
082	0	4	_a808.2/30922 _223
084			_aonline - DeGruyter
100	1		_aAustin Film Festival, Austin Film Festival _eautore
245	1	0	_aOn Story—Screenwriters and Filmmakers on Their Iconic Films / _cAustin Film Festival Austin Film Festival; ed. by Maya Perez, Barbara Morgan.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©2016
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tForeword: Tips -- _tAcknowledgments -- _tBiographies -- _tIntroduction -- _t1. Creating Classic Characters -- _tA Conversation with Shane Black, David Milch, and Sydney Pollack -- _t2. Heroes and Antiheroes -- _tA Conversation with Paul Feig, Jenny Lumet, and Aline Brosh McKenna -- _t3. “In the name of my father and of the truth!” -- _tUp Close with Terry George -- _tTerry George on In the Name of the Father -- _t4. “Can it be done, Father? Can a man change the stars?” -- _tA Conversation with Brian Helgeland -- _t5. " Attica! Attica!" -- _tBrian Helgeland Presents Frank Pierson with the Distinguished Screenwriter Award at the 2003 Austin Film Festival -- _tRobin Swicord on Dog Day Afternoon -- _tUp Close with Frank Pierson -- _t6. “Houston, we have a problem.” -- _tA Conversation with Ron Howard -- _tA Conversation with Ron Howard, Jim Lovell, Sy Liebergot, John Aaron, Jerry Bostick, Michael Corenblith, Al Reinert, and William Broyles Jr. -- _t7. “If nobody loses their head, nobody will lose their head.” -- _tUp Close with Callie Khouri -- _tCallie Khouri on Thelma & Louise -- _t8. “It’s Groundhog Day!” -- _tA Conversation with Harold Ramis -- _tDanny Rubin on Groundhog Day -- _t9. “Have the lambs stopped screaming?” -- _tA Conversation with Jonathan Demme -- _tRon Nyswaner on Philadelphia -- _tA Conversation with Ted Tally -- _t10. “I love the smell of napalm in the morning.” -- _tA Conversation with John Milius and Oliver Stone -- _t11. “I am Groot.” -- _tA Conversation with Michael Green, Ashley Miller, and Nicole Perlman -- _t12. “Which story do you prefer?” -- _tUp Close with David Magee -- _tAfterword: Some Things I’ve Learned
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_a“On Story is film school in a box, a lifetime’s worth of filmmaking knowledge squeezed into half-hour packages.”—Kenneth Turan, film critic for the Los Angeles Times Austin Film Festival (AFF) is the first organization focused on the writer’s creative contribution to film. Its annual Film Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect with mentors and gain advice and insight from masters, as well as refreshing veterans with new ideas. To extend the festival’s reach, AFF produces On Story, a television series currently airing on PBS-affiliated stations and streaming online that presents footage of high-caliber artists talking candidly and provocatively about the art and craft of screenwriting and filmmaking, often using examples from their own films. On Story—Screenwriters and Filmmakers on Their Iconic Films presents renowned, award-winning screenwriters and filmmakers discussing their careers and the stories behind the production of their iconic films such as L.A. Confidential, Thelma & Louise, Groundhog Day, Guardians of the Galaxy, The Silence of the Lambs, In the Name of the Father, Apollo 13, and more. In their own lively words transcribed from interviews and panel discussions, Ron Howard, Callie Khouri, Jonathan Demme, Ted Tally, Jenny Lumet, Harold Ramis, and others talk about creating stories that resonate with one’s life experiences or topical social issues, as well as how to create appealing characters and bring them to life. Their insights, production tales, and fresh, practical, and proven advice make this book ideal for film lovers, screenwriting students, and filmmakers and screenwriters seeking inspiration.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Okt 2021)
650		0	_aMotion picture authorship.
650		0	_aMotion picture producers and directors _vInterviews.
650		0	_aScreenwriters _vInterviews.
650		0	_aScreenwriters--Interviews.
650		7	_aPERFORMING ARTS / Film & Video / Screenwriting. _2bisacsh
700	1		_aAnderson, Paul Thomas _eautore
700	1		_aApatow, Judd _eautore
700	1		_aFranco, James _eautore
700	1		_aJosephson, Barry _eautore
700	1		_aMorgan, Barbara _eautore _ecuratore
700	1		_aPerez, Maya _eautore _ecuratore
700	1		_aRodríguez, Álvaro _eautore
700	1		_aSumner, Jane _eautore
700	1		_aWittliff, Bill _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/310908
856	4	0	_uhttps://www.degruyter.com/isbn/9781477311943
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781477311943/original
942			_cEB
999			_c218518 _d218518