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001			218534
003			IT-RoAPU
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008			220426t20212017txu fo d z eng d
010			_a2016050504
020			_a9781477312841 _qPDF
024	7		_a10.7560/312827 _2doi
035			_a(DE-B1597)9781477312841
035			_a(DE-B1597)586915
035			_a(OCoLC)1280942708
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN1995.9.J46 _bM67 2017
072		7	_aPER000000 _2bisacsh
082	0	4	_a791.43/6529924 _223
084			_aonline - DeGruyter
100	1		_aMoss, Joshua Louis _eautore
245	1	0	_aWhy Harry Met Sally : _bSubversive Jewishness, Anglo-Christian Power, and the Rhetoric of Modern Love / _cJoshua Louis Moss.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©2017
300			_a1 online resource (360 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction Sally’s Orgasm -- _tPart One the first wave: the mouse-mountains of modernity (1905–1934) -- _tIntroduction -- _tChapter 1 Disraeli’s Page performative jewishness in the public sphere -- _tChapter 2 Kafka’s Ape literary modernism, jewish animality, and the crisis of the new cosmopolitanism -- _tChapter 3 Abie’s Irish Rose immigrant couplings, utopian multiculturalism, and the early american film industry -- _tPart Two the second wave: erotic schlemiels of the counterculture (1967–1980) -- _tIntroduction -- _tChapter 4 Benjamin’s Cross israel, new hollywood, and the jewish transgressive (1947–1967) -- _tChapter 5. Portnoy’s Monkey: Postwar Literature, Stand-Up Comedy, and the Emergence of the Carnal Jew (1955–1969) -- _tChapter 6 Katie’s Typewriter hollywood romance, historical rewrite, and the subversive sexuality of the counterculture (1967–1980) -- _tPart Three the third wave: global fockers at the millennium (1993–2007) -- _tIntroduction -- _tChapter 7 Spiegelman’s Frog coded jewish metamorph and christian witnessing (1978–1992) -- _tChapter 8 Seinfeld’s Mailman global television and the wandering sitcom (1993–2000) -- _tConclusion Plato’s Retweet -- _tNotes -- _tSelected Bibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFrom immigrant ghetto love stories such as The Cohens and the Kellys (1926), through romantic comedies including Meet the Parents (2000) and Knocked Up (2007), to television series such as Transparent (2014–), Jewish-Christian couplings have been a staple of popular culture for over a century. In these pairings, Joshua Louis Moss argues, the unruly screen Jew is the privileged representative of progressivism, secular modernism, and the cosmopolitan sensibilities of the mass-media age. But his/her unruliness is nearly always contained through romantic union with the Anglo-Christian partner. This Jewish-Christian meta-narrative has recurred time and again as one of the most powerful and enduring, although unrecognized, mass-culture fantasies. Using the innovative framework of coupling theory, Why Harry Met Sally surveys three major waves of Jewish-Christian couplings in popular American literature, theater, film, and television. Moss explores how first-wave European and American creators in the early twentieth century used such couplings as an extension of modernist sensibilities and the American “melting pot.” He then looks at how New Hollywood of the late 1960s revived these couplings as a sexually provocative response to the political conservatism and representational absences of postwar America. Finally, Moss identifies the third wave as emerging in television sitcoms, Broadway musicals, and “gross-out” film comedies to grapple with the impact of American economic globalism since the 1990s. He demonstrates that, whether perceived as a threat or a triumph, Jewish-Christian couplings provide a visceral, easily graspable, template for understanding the rapid transformations of an increasingly globalized world.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650		0	_aInterpersonal relations - Social aspects.
650		0	_aInterpersonal relations _xSocial aspects.
650		0	_aJews in motion pictures.
650		0	_aJews in popular culture _zUnited States.
650		0	_aJews on television.
650		0	_aJudaism _xRelations _xChristianity.
650		0	_aLove in motion pictures.
650		7	_aPERFORMING ARTS / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/312827
856	4	0	_uhttps://www.degruyter.com/isbn/9781477312841
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781477312841/original
942			_cEB
999			_c218534 _d218534