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| 001 | 218569 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234357.0 | ||
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| 008 | 220426t20212017txu fo d z eng d | ||
| 010 | _a2017015723 | ||
| 020 | _a9781477314531 _qPDF | ||
| 024 | 7 | _a10.7560/314517 _2doi | |
| 035 | _a(DE-B1597)9781477314531 | ||
| 035 | _a(DE-B1597)588410 | ||
| 035 | _a(OCoLC)1280943371 | ||
| 040 | _aDE-B1597 _beng _cDE-B1597 _erda | ||
| 050 | 0 | 0 | _aPN1590.W64 _bH97 2017 | 
| 072 | 7 | _aPER000000 _2bisacsh | |
| 082 | 0 | 4 | _a792.702/8092 _223 | 
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 | _aHysterical! : _bWomen in American Comedy / _ced. by Linda Mizejewski, Victoria Sturtevant. | 
| 264 | 1 | _aAustin : _bUniversity of Texas Press, _c[2021] | |
| 264 | 4 | _c©2017 | |
| 300 | _a1 online resource (472 p.) | ||
| 336 | _atext _btxt _2rdacontent | ||
| 337 | _acomputer _bc _2rdamedia | ||
| 338 | _aonline resource _bcr _2rdacarrier | ||
| 347 | _atext file _bPDF _2rda | ||
| 505 | 0 | 0 | _tFrontmatter -- _tContents -- _tForeword -- _tAcknowledgments -- _tINTRODUCTION -- _tChapter 1. Mabel Normand: New Woman in the Flapper Age -- _tChapter 2. Fay Tincher: Female Rowdiness and Social Change -- _tChapter 3. Mae West: The Constant Sinner -- _tChapter 4. Fanny Brice’s New Nose: Beauty, Ethnicity, and Liminality -- _tChapter 5. Lucille Ball and the Lucy Character: Familiarity, Female Friendship, and the Anxiety of Competence -- _tChapter 6. Carol Burnett: Home, Horror, and Hilarity on The Carol Burnett Show -- _tChapter 7. Lily Tomlin: Queer Sensibilities, Funny Feminism, and Multimedia Stardom -- _tChapter 8. Moms Mabley and Wanda Sykes: “I’ma Be Me” -- _tChapter 9. Roseanne Barr: Remembering Roseanne -- _tChapter 10. Whoopi Goldberg in Hollywood: Queering Comic Genre Genealogies -- _tChapter 11. Margaret Cho’s Army: “We Are the Baddest Motherfuckers on the Block” -- _tChapter 12. Ellen DeGeneres’s Incorporate Body: The Politics of Authenticity -- _tChapter 13. Sarah Silverman: Cuteness as Subversion -- _tChapter 14. Tina Fey: “Quality” Comedy and the Body of the Female Comedy Author -- _tChapter 15. Lena Dunham: Cringe Comedy and Body Politics -- _tWorks Cited -- _tContributors -- _tIndex | 
| 506 | 0 | _arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star | |
| 520 | _aAmy Schumer, Samantha Bee, Mindy Kaling, Melissa McCarthy, Tig Notaro, Leslie Jones, and a host of hilarious peers are killing it nightly on American stages and screens large and small, smashing the tired stereotype that women aren’t funny. But today’s funny women aren’t a new phenomenon—they have generations of hysterically funny foremothers. Fay Tincher’s daredevil stunts, Mae West’s linebacker walk, Lucille Ball’s manic slapstick, Carol Burnett’s athletic pratfalls, Ellen DeGeneres’s tomboy pranks, Whoopi Goldberg’s sly twinkle, and Tina Fey’s acerbic wit all paved the way for contemporary unruly women, whose comedy upends the norms and ideals of women’s bodies and behaviors. Hysterical! Women in American Comedy delivers a lively survey of women comics from the stars of the silent cinema up through the multimedia presences of Tina Fey and Lena Dunham. This anthology of original essays includes contributions by the field’s leading authorities, introducing a new framework for women’s comedy that analyzes the implications of hysterical laughter and hysterically funny performances. Expanding on previous studies of comedians such as Mae West, Moms Mabley, and Margaret Cho, and offering the first scholarly work on comedy pioneers Mabel Normand, Fay Tincher, and Carol Burnett, the contributors explore such topics as racial/ethnic/sexual identity, celebrity, stardom, censorship, auteurism, cuteness, and postfeminism across multiple media. Situated within the main currents of gender and queer studies, as well as American studies and feminist media scholarship, Hysterical! masterfully demonstrates that hysteria—women acting out and acting up—is a provocative, empowering model for women’s comedy. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022) | |
| 650 | 0 | _aAmerican wit and humor _xHistory and criticism. | |
| 650 | 0 | _aAmerican wit and humor-History and criticism. | |
| 650 | 0 | _aBody image in women. | |
| 650 | 0 | _aFeminine beauty (Aesthetics) _zUnited States. | |
| 650 | 0 | _aFeminine beauty (Aesthetics)-United States. | |
| 650 | 0 | _aFeminism. | |
| 650 | 0 | _aWomen comedians _zUnited States _y20th century. | |
| 650 | 0 | _aWomen comedians _zUnited States _y21st century. | |
| 650 | 0 | _aWomen comedians-United States-20th century. | |
| 650 | 0 | _aWomen comedians-United States-21st century. | |
| 650 | 7 | _aPERFORMING ARTS / General. _2bisacsh | |
| 700 | 1 | _aAnderson Wagner, Kristen _eautore | |
| 700 | 1 | _aBrunovska Karnick, Kristine _eautore | |
| 700 | 1 | _aHaggins, Bambi _eautore | |
| 700 | 1 | _aHatch, Kristen _eautore | |
| 700 | 1 | _aHavas, Julia _eautore | |
| 700 | 1 | _aKarlyn, Kathleen Rowe _eautore | |
| 700 | 1 | _aKrefting, Rebecca _eautore | |
| 700 | 1 | _aLanday, Lori _eautore | |
| 700 | 1 | _aLeimbach, Joselyn K. _eautore | |
| 700 | 1 | _aLeonard, Suzanne _eautore | |
| 700 | 1 | _aMcintyre, Anthony P. _eautore | |
| 700 | 1 | _aMizejewski, Linda _eautore _ecuratore | |
| 700 | 1 | _aRapf, Joanna E _eautore | |
| 700 | 1 | _aRowe Karlyn, Kathleen _eautore | |
| 700 | 1 | _aSturtevant, Victoria _eautore _ecuratore | |
| 700 | 1 | _aSulimma, Maria _eautore | |
| 700 | 1 | _aWanzo, Rebecca _eautore | |
| 700 | 1 | _aWeber, Brenda R. _eautore | |
| 700 | 1 | _aWhite, Rosie _eautore | |
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7560/314517 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781477314531 | 
| 856 | 4 | 2 | _3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781477314531/original | 
| 942 | _cEB | ||
| 999 | _c218569 _d218569 | ||