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001			218583
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008			220426t20212018txu fo d z eng d
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020			_a9781477315453 _qPDF
024	7		_a10.7560/315439 _2doi
035			_a(DE-B1597)9781477315453
035			_a(DE-B1597)586681
035			_a(OCoLC)1280945390
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aPN1993.5.U78 _bC56 2018
050		4	_aPN1993.5.U78 _bC56 2018
072		7	_aPER000000 _2bisacsh
082	0	4	_a791.430976431 _223
084			_aonline - DeGruyter
245	0	0	_aCinemaTexas Notes : _bThe Early Days of Austin Film Culture / _ced. by Collins Swords, Louis Black.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©2018
300			_a1 online resource (401 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tCONTENTS -- _tPreface -- _tIntroduction to CinemaTexas -- _tReflections on CinemaTexas -- _tI. USA FILM HISTORY -- _tIntroduction -- _tIntolerance (dir. D. W. Griffith, 1916) -- _tSunrise (dir. F. W. Murnau, 1927) -- _tLong Pants (dir. Frank Capra, 1927) -- _tSherlock Jr. (dir. Buster Keaton, 1924) -- _tAll Quiet on the Western Front (dir. Lewis Milestone, 1930) -- _tMr. Smith Goes to Washington (dir. Frank Capra, 1939) -- _tCitizen Kane (dir. Orson Welles, 1941) -- _tNorth by Northwest (dir. Alfred Hitchcock, 1959) -- _tCorruption of the Damned (dir. George Kuchar, 1965) -- _tNecrology (dir. Standish Lawder, 1971) -- _tFive Easy Pieces (dir. Bob Rafelson, 1970) -- _tNashville (dir. Robert Altman, 1975) -- _tII. HOLLYWOOD AUTEURS -- _tFord, Hawks, Sturges, Minnelli, Sirk -- _tStagecoach (dir. John Ford, 1939) -- _tThe Man Who Shot Liberty Valance (dir. John Ford, 1962) -- _tHis Girl Friday (dir. Howard Hawks, 1940) -- _tRed River (dir. Howard Hawks, 1948) -- _tSullivan’s Travels (dir. Preston Sturges, 1941) -- _tHail the Conquering Hero (dir. Preston Sturges, 1944) -- _tMeet Me in St. Louis (dir. Vincente Minnelli, 1944) -- _tThe Band Wagon (dir. Vincente Minnelli, 1953) -- _tAll That Heaven Allows (dir. Douglas Sirk, 1955) -- _tImitation of Life (dir. Douglas Sirk, 1959) -- _tIII. CINEMA-FIST: RENEGADE TALENTS -- _tUlmer, Ray, Aldrich, Fuller, Welles, Peckinpah -- _tDetour (dir. Edgar G. Ulmer, 1945) -- _tThey Live by Night (dir. Nicholas Ray, 1948) -- _tIn a Lonely Place (dir. Nicholas Ray, 1950) -- _tKiss Me Deadly (dir. Robert Aldrich, 1955) -- _tUlzana’s Raid (dir. Robert Aldrich, 1972) -- _tForty Guns (dir. Samuel Fuller, 1957) -- _tThe Naked Kiss (dir. Samuel Fuller, 1964) -- _tTouch of Evil (dir. Orson Welles, 1958) -- _tThe Wild Bunch (dir. Sam Peckinpah, 1969) -- _tBring Me the Head of Alfredo Garcia (dir. Sam Peckinpah, 1974) -- _tIV. AMERICA’S SHADOW CINEMA -- _tB Movies, Exploitation Films, and the Avant-Garde -- _tHollywood’s Shadow Cinema -- _tMy Name Is Julia Ross (dir. Joseph H. Lewis, 1945) -- _tGun Crazy (dir. Joseph H. Lewis, 1950) -- _tFilms of Maya Deren (dir. Maya Deren, 1943–1958) -- _tScorpio Rising (dir. Kenneth Anger, 1964) -- _tTwo Thousand Maniacs! (dir. Herschell Gordon Lewis, 1964) -- _tThe Last Movie (dir. Dennis Hopper, 1971) -- _tCaged Heat (dir. Jonathan Demme, 1974) -- _tCaged Heat: Second Thoughts -- _tThe Texas Chainsaw Massacre (dir. Tobe Hooper, 1974) -- _tAssault on Precinct 13 (dir. John Carpenter, 1976) -- _tAppendix. Original Scanned CinemaTexas Note -- _tBibliography -- _tContributors -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aAustin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650		0	_aCulture in motion pictures.
650		0	_aMotion pictures _zTexas _xHistory.
650		0	_aMotion pictures _zTexas _zAustin.
650		0	_aMotion pictures-Texas-Austin.
650		0	_aMotion pictures-Texas-History.
650		7	_aPERFORMING ARTS / General. _2bisacsh
700	1		_aAlmendarez, Valentin _eautore
700	1		_aBarbaro, Nick _eautore
700	1		_aBaumgarten, Marjorie _eautore
700	1		_aBerg, Charles Ramírez _eautore
700	1		_aBlack, Louis _eautore _ecuratore
700	1		_aDraper, Ellen _eautore
700	1		_aFore, Steve _eautore
700	1		_aGreene, Kelly _eautore
700	1		_aHansen, Brian _eautore
700	1		_aHartack, Don _eautore
700	1		_aHenley, John _eautore
700	1		_aLaemmle, Ann _eautore
700	1		_aLellis, George _eautore
700	1		_aLowry, Ed _eautore
700	1		_aMahoney, Marie _eautore
700	1		_aRabinovitz, Lauren _eautore
700	1		_aRodowick, D. N. _eautore
700	1		_aSelig, Michael _eautore
700	1		_aSpector, Warren _eautore
700	1		_aSwords, Collins _ecuratore
700	1		_aTheberge, Rita _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/315439
856	4	0	_uhttps://www.degruyter.com/isbn/9781477315453
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781477315453/original
942			_cEB
999			_c218583 _d218583