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001			218589
003			IT-RoAPU
005			20221214234358.0
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008			220426t20212018txu fo d z eng d
020			_a9781477315774 _qPDF
024	7		_a10.7560/315767 _2doi
035			_a(DE-B1597)9781477315774
035			_a(DE-B1597)586476
035			_a(OCoLC)1280945041
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aARC000000 _2bisacsh
082	0	4	_a720.1/03 _223
084			_aonline - DeGruyter
100	1		_aHatuka, Tali _eautore
245	1	4	_aThe Design of Protest : _bChoreographing Political Demonstrations in Public Space / _cTali Hatuka.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©2018
300			_a1 online resource (352 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tPreface -- _tOrganization of the Book -- _tAcknowledgments -- _tPART I. Planning Protests -- _tChapter 1. Challenging Distance -- _tChapter 2. Choosing a Place -- _tChapter 3. Enhancing the Impact -- _tChapter 4. Bargaining Power -- _tPART II. Spatial Choreographies -- _tChapter 5. Staging the Action -- _tChapter 6. Spectacles -- _tChapter 7. Processions -- _tChapter 8. Place-Making -- _tPART III. Continuum -- _tChapter 9. Performing Protestability -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aPublic protests are a vital tool for asserting grievances and creating temporary, yet tangible, communities as the world becomes more democratic and urban in the twenty-first century. While the political and social aspects of protest have been extensively studied, little attention has been paid to the physical spaces in which protests happen. Yet place is a crucial aspect of protests, influencing the dynamics and engagement patterns among participants. In The Design of Protest, Tali Hatuka offers the first extensive discussion of the act of protest as a design: that is, a planned event in a space whose physical geometry and symbolic meaning are used and appropriated by its organizers, who aim to challenge socio-spatial distance between political institutions and the people they should serve. Presenting case studies from around the world, including Tiananmen Square in Beijing; the National Mall in Washington, DC; Rabin Square in Tel Aviv; and the Plaza de Mayo in Buenos Aires, Hatuka identifies three major dimensions of public protests: the process of planning the protest in a particular place; the choice of spatial choreography of the event, including the value and meaning of specific tactics; and the challenges of performing contemporary protests in public space in a fragmented, complex, and conflicted world. Numerous photographs, detailed diagrams, and plans complement the case studies, which draw upon interviews with city officials, urban planners, and protesters themselves.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650		0	_aArchitecture and society.
650		0	_aCity planning.
650		0	_aDemonstrations _xPlanning.
650		0	_aPublic spaces _xPolitical aspects.
650		0	_aPublic spaces _xSocial aspects.
650		7	_aARCHITECTURE / General. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/315767
856	4	0	_uhttps://www.degruyter.com/isbn/9781477315774
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781477315774/original
942			_cEB
999			_c218589 _d218589