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020 _a9781477317716
_qPDF
024 7 _a10.7560/318393
_2doi
035 _a(DE-B1597)9781477317716
035 _a(DE-B1597)586858
035 _a(OCoLC)1269268927
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aML420.K675
_bT56 2018
072 7 _aSOC000000
_2bisacsh
082 0 4 _a782.42164092
_223
084 _aonline - DeGruyter
100 1 _aTinsley, Omise'eke Natasha
_eautore
245 1 0 _aBeyoncé in Formation :
_bRemixing Black Feminism /
_cOmise'eke Natasha Tinsley.
264 1 _aAustin :
_bUniversity of Texas Press,
_c[2021]
264 4 _c©2018
300 _a1 online resource (216 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tINTRODUCTION FOR THE TEXAS BAMA FEMME --
_tFAMILY ALBUM: MAKING LEMONADE OUT OF MARRIAGE, MOTHERHOOD, AND SOUTHERN TRADITION --
_t“MOST BOMB PUSSY”: TOWARD A BLACK FEMINIST PLEASURE POLITICS --
_tCALLING FOR FREEDOM: BLACK WOMEN’S ACTIVISM IN THE US SOUTH --
_tOUTRO: I KNOW BEYONCÉ LOVES BLACK FEMMES --
_tACKNOWLEDGMENTS --
_tNOTES --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aMaking headlines when it was launched in 2015, Omise’eke Tinsley’s undergraduate course “Beyoncé Feminism, Rihanna Womanism” has inspired students from all walks of life. In Beyoncé in Formation, Tinsley now takes her rich observations beyond the classroom, using the blockbuster album and video Lemonade as a soundtrack for vital new-millennium narratives. Woven with candid observations about her life as a feminist scholar of African studies and a cisgender femme married to a trans spouse, Tinsley’s “Femme-onade” mixtape explores myriad facets of black women’s sexuality and gender. Turning to Beyoncé’s “Don’t Hurt Yourself,” Tinsley assesses black feminist critiques of marriage and then considers the models of motherhood offered in “Daddy Lessons,” interspersing these passages with memories from Tinsley’s multiracial family history. Her chapters on nontraditional bonds culminate in a discussion of contemporary LGBT politics through the lens of the internet-breaking video “Formation,” underscoring why Beyoncé’s black femme-inism isn’t only for ciswomen. From pleasure politics and the struggle for black women’s reproductive justice to the subtext of blues and country music traditions, the landscape in this tour is populated by activists and artists (including Loretta Lynn) and infused with vibrant interpretations of Queen Bey’s provocative, peerless imagery and lyrics. In the tradition of Roxanne Gay’s Bad Feminist and Jill Lepore’s best-selling cultural histories, Beyoncé in Formation is the work of a daring intellectual who is poised to spark a new conversation about freedom and identity in America.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2022)
650 0 _aAfrican American feminists.
650 0 _aAfrican American women singers
_vBiography.
650 0 _aAfrican American women singers.
650 0 _aFeminism and music.
650 7 _aSOCIAL SCIENCE / General.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7560/318393
856 4 0 _uhttps://www.degruyter.com/isbn/9781477317716
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781477317716/original
942 _cEB
999 _c218633
_d218633