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001			218690
003			IT-RoAPU
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008			230127t20212020txu fo d z eng d
010			_a2019030126
020			_a9781477320600 _qPDF
024	7		_a10.7560/320594 _2doi
035			_a(DE-B1597)9781477320600
035			_a(DE-B1597)588445
035			_a(OCoLC)1266227820
040			_aDE-B1597 _beng _cDE-B1597 _erda
050	0	0	_aN7596.8 _b.E54 2020
050		4	_aN7596.8 _b.E54 2020
072		7	_aART044000 _2bisacsh
082	0	4	_a704.9 _223
084			_aonline - DeGruyter
100	1		_aEngel, Emily _eautore
245	1	0	_aPictured Politics : _bVisualizing Colonial History in South American Portrait Collections / _cEmily Engel.
264		1	_aAustin : _bUniversity of Texas Press, _c[2021]
264		4	_c©2020
300			_a1 online resource
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction. Art and Authority in Late Colonial South American Portraiture -- _tChapter 1. New Pictorial Practices -- _tChapter 2. Visualizing Empire’s History -- _tChapter 3. Picturing Viceregal Authority in the Lima City Council -- _tChapter 4. Municipal Collecting -- _tChapter 5. Portrayal in a Time of Transition -- _tEpilogue. The Afterlife of Official Portraits -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe Spanish colonial period in South America saw artists develop the subgenre of official portraiture, or portraits of key individuals in the continent’s viceregal governments. Although these portraits appeared to illustrate a narrative of imperial splendor and absolutist governance, they instead became a visual record of the local history that emerged during the colonial occupation. Using the official portrait collections accumulated between 1542 and 1830 in Lima, Buenos Aires, and Bogotá as a lens, Pictured Politics explores how official portraiture originated and evolved to become an essential component in the construction of Ibero-American political relationships. Through the surviving portraits and archival evidence—including political treatises, travel accounts, and early periodicals—Emily Engel demonstrates that these official portraits not only belie a singular interpretation as tools of imperial domination but also visualize the continent's multilayered history of colonial occupation. The first stand alone analysis of South American portraiture, Pictured Politics brings to light the historical relevance of political portraits in crafting the history of South American colonialism.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Jan 2023)
650		0	_aArt, South American _y18th century.
650		0	_aArt, South American _y19th century.
650		0	_aPolitics in art.
650		0	_aPortraits _xPolitical aspects _zSouth America _xHistory.
650		0	_aPortraits _zSouth America _xHistory _y18th century.
650		0	_aPortraits _zSouth America _xHistory _y19th century.
650		7	_aART / Caribbean & Latin American. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7560/320594
856	4	0	_uhttps://www.degruyter.com/isbn/9781477320600
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781477320600/original
942			_cEB
999			_c218690 _d218690