| 000 | 03918nam a2200601 454500 | ||
|---|---|---|---|
| 001 | 219023 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150751.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240625t20212021nyu fo d z eng d | ||
| 020 |
_a9781479811809 _qPDF |
||
| 024 | 7 |
_a10.18574/nyu/9781479811809.001.0001 _2doi |
|
| 035 | _a(DE-B1597)9781479811809 | ||
| 035 | _a(DE-B1597)585037 | ||
| 035 | _a(OCoLC)1266909027 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 |
_aML3918.O64 _bK56 2021 |
|
| 072 | 7 |
_aMUS028000 _2bisacsh |
|
| 082 | 0 | 4 |
_a306.4/8428 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aKinney, Alison _eautore |
|
| 245 | 1 | 0 |
_aAvidly Reads Opera / _cAlison Kinney. |
| 264 | 1 |
_aNew York, NY : _bNew York University Press, _c[2021] |
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| 264 | 4 | _c©2021 | |
| 300 |
_a1 online resource : _b1 b/w illustration |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAct I: Hope -- _tAct II: “Willkommen, Bienvenue, Welcome!” -- _tAct III: Losing Our Heads -- _tIntermission: The World’s Greatest Work of Opera Fan Art -- _tAct IV: Let No One Sleep -- _tAct V: Pilgrimage -- _tEpilogue: Transformation -- _tAcknowledgments -- _tAppendix: A Crowdsourced Tip Sheet for First- Time Operagoers Afraid of Getting Eaten Alive -- _tSources -- _tAbout the Author |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _a“Opera is community, comfort, art, voice, breath, life. It’s hope.”All art exists to make life more bearable. For Alison Kinney, it was the wild, fantastical world of opera that transformed her listening and her life. Whether we’re listening for the first time or revisiting the arias that first stole our hearts, Avidly Reads Opera welcomes readers and listeners to a community full of friendship, passion, critique—and, always, beautiful music. In times of delirious, madcap fun and political turmoil, opera fans have expressed their passion by dispatching records into the cosmos, building fairy-tale castles, and singing together through the arduous work of social activism. Avidly Reads Opera is a love letter to the music and those who love it, complete with playlists, a crowdsourced tip sheet from ultra-fans to newbies, and stories of the turbulent, genre-busting, and often hilarious history of opera and its audiences.Across five acts—and the requisite intermission—Alison Kinney takes us everywhere opera’s rich melodies are heard, from the cozy bedrooms of listeners at home, to exclusive music festivals, to protests, and even prisons. Part of the Avidly Reads series, this slim book gives us a new way of looking at culture. With the singular blend of personal reflection and cultural criticism featured in the series, Avidly Reads Opera is an homage to the marvelous, sensational world of opera for the casual viewer. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 |
_aOpera _xSocial aspects. |
|
| 650 | 0 | _aOpera-Social aspects. | |
| 650 | 0 |
_aOperas _xAnalysis, appreciation. |
|
| 650 | 7 |
_aMUSIC / Genres & Styles / Opera. _2bisacsh |
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| 653 | _abooks for music lovers. | ||
| 653 | _acultural history. | ||
| 653 | _acultural studies. | ||
| 653 | _agift books. | ||
| 653 | _amusic history. | ||
| 653 | _aopera fans. | ||
| 653 | _ashort nonfiction. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.18574/nyu/9781479811809.001.0001 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781479811809 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781479811809/original |
| 942 | _cEB | ||
| 999 |
_c219023 _d219023 |
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