| 000 | 05876nam a2201321Ia 4500 | ||
|---|---|---|---|
| 001 | 219051 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211164017.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231101t20202020nyu fo d z eng d | ||
| 020 |
_a9781479840083 _qprint |
||
| 020 |
_a9781479813636 _qPDF |
||
| 024 | 7 |
_a10.18574/nyu/9781479813636.001.0001 _2doi |
|
| 035 | _a(DE-B1597)9781479813636 | ||
| 035 | _a(DE-B1597)550566 | ||
| 035 | _a(OCoLC)1147294495 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 072 | 7 |
_aSOC001000 _2bisacsh |
|
| 082 | 0 | 4 |
_a305.800973022/2 _qOCoLC _223/eng/20230216 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aWanzo, Rebecca _eautore |
|
| 245 | 1 | 4 |
_aThe Content of Our Caricature : _bAfrican American Comic Art and Political Belonging / _cRebecca Wanzo. |
| 264 | 1 |
_aNew York, NY : _bNew York University Press, _c[2020] |
|
| 264 | 4 | _c©2020 | |
| 300 |
_a1 online resource : _b69 hts / 6 page color insert |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 490 | 0 |
_aPostmillennial Pop ; _v25 |
|
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aTraces the history of racial caricature and the ways that Black cartoonists have turned this visual grammar on its headRevealing the long aesthetic tradition of African American cartoonists who have made use of racist caricature as a black diasporic art practice, Rebecca Wanzo demonstrates how these artists have resisted histories of visual imperialism and their legacies. Moving beyond binaries of positive and negative representation, many black cartoonists have used caricatures to criticize constructions of ideal citizenship in the United States, as well as the alienation of African Americans from such imaginaries. The Content of Our Caricature urges readers to recognize how the wide circulation of comic and cartoon art contributes to a common language of both national belonging and exclusion in the United States.Historically, white artists have rendered white caricatures as virtuous representations of American identity, while their caricatures of African Americans are excluded from these kinds of idealized discourses. Employing a rich illustration program of color and black-and-white reproductions, Wanzo explores the works of artists such as Sam Milai, Larry Fuller, Richard "Grass" Green, Brumsic Brandon Jr., Jennifer Cruté, Aaron McGruder, Kyle Baker, Ollie Harrington, and George Herriman, all of whom negotiate and navigate this troublesome history of caricature. The Content of Our Caricature arrives at a gateway to understanding how a visual grammar of citizenship, and hence American identity itself, has been constructed. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 | _aAaron McGruder;African American Art;African American cartoonists;African American children;African American Soldiers;African Americans;Black Aesthetics;Black Body;black liberation;black masculinity;Black Panther;Black superheroes. | |
| 650 | 0 | _aBrumsic Brandon Jr. | |
| 650 | 0 | _aCaptain America. | |
| 650 | 0 | _aCitizenship. | |
| 650 | 0 | _aCivil Rights Movement. | |
| 650 | 0 | _aComic books, strips, etc. | |
| 650 | 0 | _aEditorial cartoons. | |
| 650 | 0 | _aHermeneutic. | |
| 650 | 0 | _aHo Che Anderson. | |
| 650 | 0 | _aIcon. | |
| 650 | 0 | _aJennifer Cruté. | |
| 650 | 0 | _aKyle Baker. | |
| 650 | 0 | _aLarry Fuller. | |
| 650 | 0 | _aMartin Luther King Jr. | |
| 650 | 0 | _aNat Turner. | |
| 650 | 0 | _aOllie Harrington. | |
| 650 | 0 | _aR Crumb. | |
| 650 | 0 | _aRichard Grass Green. | |
| 650 | 0 | _aSlavery. | |
| 650 | 0 | _aThomas Nast. | |
| 650 | 0 | _aU.S. comics. | |
| 650 | 0 | _aViolence. | |
| 650 | 0 | _aWorld War II. | |
| 650 | 0 | _aequal opportunity humor. | |
| 650 | 0 | _ainfantile citizenship. | |
| 650 | 0 | _aoffensive humor. | |
| 650 | 0 | _aracial melancholia. | |
| 650 | 0 | _astereotype. | |
| 650 | 0 | _aunderground comix. | |
| 650 | 0 | _avisual culture. | |
| 650 | 7 |
_aSOCIAL SCIENCE / Ethnic Studies / African American Studies. _2bisacsh |
|
| 653 | _aAaron McGruder. | ||
| 653 | _aAfrican American Art. | ||
| 653 | _aAfrican American Soldiers. | ||
| 653 | _aAfrican American cartoonists. | ||
| 653 | _aAfrican American children. | ||
| 653 | _aAfrican Americans. | ||
| 653 | _aBlack Aesthetics. | ||
| 653 | _aBlack Body. | ||
| 653 | _aBlack Panther. | ||
| 653 | _aBlack superheroes. | ||
| 653 | _aBrumsic Brandon Jr. | ||
| 653 | _aCaptain America. | ||
| 653 | _aCivil Rights Movement. | ||
| 653 | _aComics. | ||
| 653 | _aHermeneutic. | ||
| 653 | _aHo Che Anderson. | ||
| 653 | _aIcon. | ||
| 653 | _aJennifer Cruté. | ||
| 653 | _aKyle Baker. | ||
| 653 | _aLarry Fuller. | ||
| 653 | _aMartin Luther King Jr. | ||
| 653 | _aNat Turner. | ||
| 653 | _aOllie Harrington. | ||
| 653 | _aR Crumb. | ||
| 653 | _aRichard Grass Green. | ||
| 653 | _aThomas Nast. | ||
| 653 | _aU.S. comics. | ||
| 653 | _aViolence. | ||
| 653 | _aWorld War II. | ||
| 653 | _ablack liberation. | ||
| 653 | _ablack masculinity. | ||
| 653 | _acitizenship. | ||
| 653 | _aeditorial cartoons. | ||
| 653 | _aequal opportunity humor. | ||
| 653 | _ainfantile citizenship. | ||
| 653 | _aoffensive humor. | ||
| 653 | _aracial melancholia. | ||
| 653 | _aslavery. | ||
| 653 | _astereotype. | ||
| 653 | _aunderground comix. | ||
| 653 | _avisual culture. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781479813636 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781479813636/original |
| 942 | _cEB | ||
| 999 |
_c219051 _d219051 |
||