| 000 | 04086nam a2200781Ia 4500 | ||
|---|---|---|---|
| 001 | 219102 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211164022.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231101t20182018nyu fo d z eng d | ||
| 020 |
_a9781479862825 _qprint |
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| 020 |
_a9781479818426 _qPDF |
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| 024 | 7 |
_a10.18574/nyu/9781479862825.001.0001 _2doi |
|
| 035 | _a(DE-B1597)9781479818426 | ||
| 035 | _a(DE-B1597)547781 | ||
| 035 | _a(OCoLC)1049568112 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aE185.86 | |
| 072 | 7 |
_aSOC052000 _2bisacsh |
|
| 082 | 0 | 4 |
_a305.48896073 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aJoseph, Ralina L. _eautore |
|
| 245 | 1 | 0 |
_aPostracial Resistance : _bBlack Women, Media, and the Uses of Strategic Ambiguity / _cRalina L. Joseph. |
| 264 | 1 |
_aNew York, NY : _bNew York University Press, _c[2018] |
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| 264 | 4 | _c©2018 | |
| 300 |
_a1 online resource : _b17 black and white illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aCritical Cultural Communication ; _v27 |
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| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aWinner, 2019 Outstanding Book Award, International Communication AssociationHow Black women in the spotlight negotiate the post-racial gaze of Hollywood and beyond From Oprah Winfrey, Michelle Obama, and Shonda Rhimes to their audiences and the industry workers behind the scenes, Ralina L. Joseph considers the way that Black women are required to walk a tightrope. Do they call out racism only to face accusations of being called "racists"? Or respond to racism in code only to face accusations of selling out? Postracial Resistance explores how African American women celebrities, cultural producers, and audiences employ postracial discourse-the notion that race and race-based discrimination are over and no longer affect people's everyday lives-to refute postracialism itself. In a world where they're often written off as stereotypical "Angry Black Women," Joseph offers that some Black women in media use "strategic ambiguity," deploying the failures of post-racial discourse to name racism and thus resist it.In Postracial Resistance, Joseph listens to and observes Black women as they perform and negotiate race in strategic ambiguity. Using three methods of media analysis-textual readings of the media's representation of these women; interviews with writers, producers, and studio executives; and audience ethnographies of young women viewers-Joseph maps the tensions and strategies that all Black women must engage to challenge the racialized sexism of everyday life, on- and off-screen. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 |
_aAfrican American women _xSocial conditions. |
|
| 650 | 0 | _aAfrican Americans and mass media. | |
| 650 | 0 | _aMass media and women. | |
| 650 | 7 |
_aSOCIAL SCIENCE / Media Studies. _2bisacsh |
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| 653 | _aAngry Black Women. | ||
| 653 | _aFeminist. | ||
| 653 | _aHollywood. | ||
| 653 | _aMichelle Obama. | ||
| 653 | _aOprah Winfrey. | ||
| 653 | _aOprah. | ||
| 653 | _aPostfeminist. | ||
| 653 | _aShonda Rhimes. | ||
| 653 | _aWinfrey. | ||
| 653 | _ablack women. | ||
| 653 | _acelebrity. | ||
| 653 | _adiscrimination. | ||
| 653 | _agender. | ||
| 653 | _amedia. | ||
| 653 | _aperforming race. | ||
| 653 | _apostrace. | ||
| 653 | _arace and media. | ||
| 653 | _aracial ambiguity. | ||
| 653 | _aracial equality. | ||
| 653 | _aracial representation. | ||
| 653 | _awomen in media. | ||
| 653 | _awomen of color. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781479818426 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781479818426/original |
| 942 | _cEB | ||
| 999 |
_c219102 _d219102 |
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