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| 001 | 219434 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150754.0 | ||
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| 008 | 240625t20212021nyu fo d z eng d | ||
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_a9781479862702 _qPDF |
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_a10.18574/nyu/9781479862702.001.0001 _2doi |
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| 035 | _a(DE-B1597)9781479862702 | ||
| 035 | _a(DE-B1597)574006 | ||
| 035 | _a(OCoLC)1245669519 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPN6707 _b.K49 2021 |
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| 072 | 7 |
_aLIT017000 _2bisacsh |
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| 082 | 0 | 4 |
_a741.5/03 _qOCoLC _223/eng/20230216 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aKeywords for Comics Studies / _ced. by Deborah Whaley, Ramzi Fawaz, Shelley Streeby. |
| 264 | 1 |
_aNew York, NY : _bNew York University Press, _c[2021] |
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| 264 | 4 | _c©2021 | |
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_a1 online resource : _b5 b/w illustrations |
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_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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_atext file _bPDF _2rda |
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_aKeywords ; _v12 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tIntroduction -- _t1. Adaptation: Matt Yockey -- _t2. Alternative: Charles Hatfield -- _t3. Archie: Bart Beaty -- _t4. Archive: Margaret Galvan -- _t5. Border: Cathy Schlund- Vials -- _t6. Caricature: Rebecca Wanzo -- _t7. Cartoon: Michael Mark Cohen -- _t8. Censorship: Amy Kiste Nyberg -- _t9. Circulation: Benjamin Woo -- _t10. Cognition: Michael Chaney and Sara Biggs Chaney -- _t11. Comic Book: Jared Gardner -- _t12. Comic Strip: Jessica Quick Stark -- _t13. Comix: Nicholas Sammond -- _t14. Cosplay: Ellen Kirkpatrick -- _t15. Creator: Susan Kirtley -- _t16. Disability: José Alaniz -- _t17. Diversity: Frederick Luis Aldama -- _t18. Documentary: Christopher Spaide -- _t19. EC Comics: Nicholas Yanes -- _t20. Fandom: Aaron Kashtan -- _t21. Fantasy: Darieck Scott -- _t22. Feminism: Yetta Howard -- _t23. Form: Scott Bukatman -- _t24. Funnies: Joshua Abraham Kopin -- _t25. Gender: Ian Blechschmidt -- _t26. Genre: Shelley Streeby -- _t27. Graphic Novel: Tahneer Oksman -- _t28. Gutter: Christopher Pizzino -- _t29. Industry: Gregory Steirer -- _t30. Ink: Stacey Robinson -- _t31. Latinx: Isabel Millán -- _t32. Love and Rockets: Enrique García -- _t33. Lowbrow: Sean Guynes -- _t34. Manga: Adam L. Kern -- _t35. Memoir: Joo Ok Kim -- _t36. Nostalgia: Blair Davis -- _t37. Panel: Matt Silady -- _t38. Pornography: Justin Hall -- _t39. Print: Carol L. Tilley -- _t40. Queer: Ramzi Fawaz, with Darieck Scott -- _t41. Race: Jonathan W. Gray -- _t42. Reader: Frank Bramlett -- _t43. Sequence: Barbara Postema -- _t44. Seriality: Osvaldo Oyola -- _t45. Southern: Brannon Costello -- _t46. Speculation: andré carrington -- _t47. Superhero: Benjamin Saunders -- _t48. Superman: Ian Gordon -- _t49. Trans- /*: Cáel M. Keegan -- _t50. Universe: Anthony Michael D’Agostino -- _t51. Watchmen: Andrew Hoberek -- _t52. Webcomics: Leah Misemer -- _t53. Wonder Woman: Phil Jimenez -- _t54. X-Men: Alexandro Segade -- _t55. Zine: Mimi Thi Nguyen -- _tAppendix -- _tReferences -- _tAbout the Contributors |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aIntroduces key terms, research traditions, debates, and histories, and offers a sense of the new frontiers emerging in the field of comics studiesAcross more than fifty original essays, Keywords for Comics Studies provides a rich, interdisciplinary vocabulary for comics and sequential art. The essays also identify new avenues of research into one of the most popular and diverse visual media of the twentieth and twenty-first centuries.Keywords for Comics Studies presents an array of inventive analyses of terms central to the study of comics and sequential art that are traditionally siloed in distinct lexicons: these include creative and aesthetic terms like Ink, Creator, Border, and Panel; conceptual terms such as Trans*, Disability, Universe, and Fantasy; genre terms like Zine, Pornography, Superhero, and Manga; and canonical terms like X-Men, Archie, Watchmen, and Love and Rockets.This volume ties each specific comic studies keyword to the larger context of the term within the humanities. Essays demonstrate how scholars, cultural critics, and comics artists from a range of fields take up sequential art as both an object of analysis and a medium for developing new theories about embodiment, identity, literacy, audience reception, genre, cultural politics, and more. Keywords for Comics Studies revivifies the fantasy and magic of reading comics in its kaleidoscopic view of the field’s most compelling and imaginative ideas. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 0 |
_aComic books, strips, etc _vEncyclopedias. |
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| 650 | 0 |
_aComic books, strips, etc _vTerminology. |
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| 650 | 0 |
_aComic books, strips, etc _xHistory and criticism. |
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| 650 | 0 |
_aComic books, strips, etc. _vEncyclopedias. |
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| 650 | 0 |
_aComic books, strips, etc. _vTerminology. |
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| 650 | 0 |
_aComic books, strips, etc. _xHistory and criticism. |
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| 650 | 7 |
_aLITERARY CRITICISM / Comics & Graphic Novels. _2bisacsh |
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| 700 | 1 |
_aFawaz, Ramzi _eautore _ecuratore |
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| 700 | 1 |
_aStreeby, Shelley _eautore _ecuratore |
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| 700 | 1 |
_aWhaley, Deborah _ecuratore |
|
| 700 | 1 |
_aWhaley, Deborah Elizabeth _eautore |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.18574/nyu/9781479862702.001.0001 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781479862702 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781479862702/original |
| 942 | _cEB | ||
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_c219434 _d219434 |
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