| 000 | 03981nam a22005895i 4500 | ||
|---|---|---|---|
| 001 | 219442 | ||
| 003 | IT-RoAPU | ||
| 005 | 20240316185716.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 240306t20162016nyu fo d z eng d | ||
| 020 |
_a9781479863914 _qPDF |
||
| 024 | 7 |
_a10.18574/nyu/9781479863914.001.0001 _2doi |
|
| 035 | _a(DE-B1597)9781479863914 | ||
| 035 | _a(DE-B1597)548554 | ||
| 035 | _a(OCoLC)957773438 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 |
_aBM531 _b.B37 2016eb |
|
| 072 | 7 |
_aREL040030 _2bisacsh |
|
| 082 | 0 | 4 |
_a296.3/827 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aBarzilai, Maya _eautore |
|
| 245 | 1 | 0 |
_aGolem : _bModern Wars and Their Monsters / _cMaya Barzilai. |
| 264 | 1 |
_aNew York, NY : _bNew York University Press, _c[2016] |
|
| 264 | 4 | _c©2016 | |
| 300 | _a1 online resource | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tNote on Transliteration and Translation -- _tIntroduction -- _t1. The Face of Destruction -- _t2. The Golem Cult of 1921 New York -- _t3. Our Enemies, Ourselves -- _t4. Supergolem -- _t5. Pacifist Computers and Jewish Cyborgs -- _tConclusion -- _tNotes -- _tBibliography -- _tIndex -- _tAbout the Author |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _a2017 Jordan Schnitzer Book Award in Jewish Literature and LinguisticsHonorable Mention, 2016 Baron Book Prize presented by AAJRA monster tour of the Golem narrative across various cultural and historical landscapesIn the 1910s and 1920s, a “golem cult” swept across Europe and the U.S., later surfacing in Israel. Why did this story of a powerful clay monster molded and animated by a rabbi to protect his community become so popular and pervasive? The golem has appeared in a remarkable range of popular media: from the Yiddish theater to American comic books, from German silent film to Quentin Tarantino movies. This book showcases how the golem was remolded, throughout the war-torn twentieth century, as a muscular protector, injured combatant, and even murderous avenger. This evolution of the golem narrative is made comprehensible by, and also helps us to better understand, one of the defining aspects of the last one hundred years: mass warfare and its ancillary technologies.In the twentieth century the golem became a figure of war. It represented the chaos of warfare, the automation of war technologies, and the devastation wrought upon soldiers’ bodies and psyches. Golem: Modern Wars and Their Monsters draws on some of the most popular and significant renditions of this story in order to unravel the paradoxical coincidence of wartime destruction and the fantasy of artificial creation. Due to its aggressive and rebellious sides, the golem became a means for reflection about how technological progress has altered human lives, as well as an avenue for experimentation with the media and art forms capable of expressing the monstrosity of war. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 06. Mrz 2024) | |
| 650 | 0 | _aGolem. | |
| 650 | 0 | _aWar. | |
| 650 | 7 |
_aRELIGION / Judaism / History. _2bisacsh |
|
| 653 | _agerman culture. | ||
| 653 | _ajewish folklore. | ||
| 653 | _ajewish history. | ||
| 653 | _ajewish myth. | ||
| 653 | _alegend. | ||
| 653 | _aliterary history. | ||
| 653 | _ayiddish culture. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.18574/nyu/9781479863914.001.0001 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781479863914 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781479863914/original |
| 942 | _cEB | ||
| 999 |
_c219442 _d219442 |
||