| 000 | 05927nam a2201417Ia 4500 | ||
|---|---|---|---|
| 001 | 219464 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211164049.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231101t20192019nyu fo d z eng d | ||
| 020 |
_a9781479805273 _qprint |
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| 020 |
_a9781479866625 _qPDF |
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| 024 | 7 |
_a10.18574/nyu/9781479866625.001.0001 _2doi |
|
| 035 | _a(DE-B1597)9781479866625 | ||
| 035 | _a(DE-B1597)548278 | ||
| 035 | _a(OCoLC)1062422270 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 |
_aHM621 _b.A57 2019 |
|
| 072 | 7 |
_aSOC052000 _2bisacsh |
|
| 082 | 0 | 4 |
_a302.23/1 _223 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 0 |
_aAnti-Fandom : _bDislike and Hate in the Digital Age / _ced. by Melissa A. Click. |
| 264 | 1 |
_aNew York, NY : _bNew York University Press, _c[2019] |
|
| 264 | 4 | _c©2019 | |
| 300 |
_a1 online resource : _b10 black and white illustrations |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aPostmillennial Pop ; _v24 |
|
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aA revealing look at the pleasure we get from hating figures like politicians, celebrities, and TV characters, showcased in approaches that explore snark, hate-watching, and trolling The work of a fan takes many forms: following a favorite celebrity on Instagram, writing steamy fan fiction fantasies, attending meet-and-greets, and creating fan art as homages to adored characters. While fandom that manifests as feelings of like and love are commonly understood, examined less frequently are the equally intense, but opposite feelings of dislike and hatred. Disinterest. Disgust. Hate. This is anti-fandom. It is visible in many of the same spaces where you see fandom: in the long lines at ComicCon, in our politics, and in numerous online forums like Twitter, Tumblr, Reddit, and the ever dreaded comments section. This is where fans and fandoms debate and discipline. This is where we love to hate. Anti-Fandom,a collection of 15 original and innovative essays, provides a framework for future study through theoretical and methodological exemplars that examine anti-fandom in the contemporary digital environment through gender, generation, sexuality, race, taste, authenticity, nationality, celebrity, and more. From hatewatching Girls and Here Comes Honey Boo Boo to trolling celebrities and their characters on Twitter, these chapters ground the emerging area of anti-fan studies with a productive foundation. The book demonstrates the importance of constructing a complex knowledge of emotion and media in fan studies. Its focus on the pleasures, performances, and practices that constitute anti-fandom will generate new perspectives for understanding the impact of hate on our identities, relationships, and communities. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 |
_aCelebrities _xPublic opinion. |
|
| 650 | 0 |
_aFans (Persons) _xAttitudes. |
|
| 650 | 0 | _aHate. | |
| 650 | 0 | _aSocial media. | |
| 650 | 7 |
_aSOCIAL SCIENCE / Media Studies. _2bisacsh |
|
| 653 | _aBDSM. | ||
| 653 | _aDoctor Who. | ||
| 653 | _aFifty Shades of Grey. | ||
| 653 | _aGlee Equality Project. | ||
| 653 | _aambivalence. | ||
| 653 | _aante-fandom. | ||
| 653 | _aanti-fan studies. | ||
| 653 | _aaudiences relationships. | ||
| 653 | _aaudiences. | ||
| 653 | _abad objects. | ||
| 653 | _ablack images. | ||
| 653 | _ablack women. | ||
| 653 | _acancellation. | ||
| 653 | _acarnivalesque. | ||
| 653 | _acelebrities. | ||
| 653 | _acharacters. | ||
| 653 | _achildhood. | ||
| 653 | _acomplaining. | ||
| 653 | _acounterhegemonic. | ||
| 653 | _acreativity. | ||
| 653 | _acriticizing. | ||
| 653 | _acultural hierarchies. | ||
| 653 | _adigital environments. | ||
| 653 | _adigital media culture. | ||
| 653 | _adigital media. | ||
| 653 | _adisliking. | ||
| 653 | _adisparaging. | ||
| 653 | _adissatisfaction. | ||
| 653 | _adumbing down. | ||
| 653 | _aemotion. | ||
| 653 | _aengagement. | ||
| 653 | _aexploitainment. | ||
| 653 | _afan community. | ||
| 653 | _afan fiction. | ||
| 653 | _afan object. | ||
| 653 | _afan studies. | ||
| 653 | _afan text. | ||
| 653 | _afan. | ||
| 653 | _afantipathy. | ||
| 653 | _afavorite team. | ||
| 653 | _afrustration. | ||
| 653 | _agatekeepers. | ||
| 653 | _agender relations. | ||
| 653 | _agender. | ||
| 653 | _agenerations. | ||
| 653 | _ahate speech. | ||
| 653 | _ahatewatching. | ||
| 653 | _ahegemonic. | ||
| 653 | _alived experiences. | ||
| 653 | _amainstream. | ||
| 653 | _amedia consumption. | ||
| 653 | _amedia texts. | ||
| 653 | _amediated dislike. | ||
| 653 | _amisogyny. | ||
| 653 | _amob attacks. | ||
| 653 | _amoral compass. | ||
| 653 | _anationality. | ||
| 653 | _aonline conversations. | ||
| 653 | _aparatextual role. | ||
| 653 | _apolitical antagonism. | ||
| 653 | _apopulist forces. | ||
| 653 | _aprograming strategy. | ||
| 653 | _apublic service broadcasting. | ||
| 653 | _arace. | ||
| 653 | _arejection discourse. | ||
| 653 | _arhetorical functions. | ||
| 653 | _aself-narrative. | ||
| 653 | _asocial media. | ||
| 653 | _asocial phenomenon. | ||
| 653 | _asocialized fandom. | ||
| 653 | _astrong ties. | ||
| 653 | _asubcultural capital. | ||
| 653 | _atelevision quality. | ||
| 653 | _atelevision. | ||
| 700 | 1 |
_aClick, Melissa A. _ecuratore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781479866625 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781479866625/original |
| 942 | _cEB | ||
| 999 |
_c219464 _d219464 |
||