| 000 | 03116nam a2200613Ia 4500 | ||
|---|---|---|---|
| 001 | 219763 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211164108.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231101t20182018onc fo d z eng d | ||
| 020 |
_a9781487502430 _qprint |
||
| 020 |
_a9781487515324 _qPDF |
||
| 024 | 7 |
_a10.3138/9781487515324 _2doi |
|
| 035 | _a(DE-B1597)9781487515324 | ||
| 035 | _a(DE-B1597)515745 | ||
| 035 | _a(OCoLC)1076269182 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 050 | 4 |
_aNX556.A1 _bG47 2018eb |
|
| 072 | 7 |
_aART015100 _2bisacsh |
|
| 082 | 0 | 4 |
_a700.947 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aGérin, Annie _eautore |
|
| 245 | 1 | 0 |
_aDevastation and Laughter : _bSatire, Power, and Culture in the Early Soviet State (1920s-1930s) / _cAnnie Gérin. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[2018] |
|
| 264 | 4 | _c©2018 | |
| 300 | _a1 online resource (288 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aIn Devastation and Laughter, Annie Gérin explores the use of satire in the visual arts, the circus, theatre, and cinema under Lenin and Stalin. Gérin traces the rise and decline of the genre and argues that the use of satire in official Soviet art and propaganda was neither marginal nor un-theorized. The author sheds light on the theoretical texts written in the 1920s and 1930s by Anatoly Lunacharsky, the Soviet Commissar of Enlightenment, and the impact his writings had on satirists. While the Avant-Garde and Socialist Realism were necessarily forward-looking and utopian, satire afforded artists the means to examine critically past and present subjects, themes, and practice. Devastation and Laughter is the first work to bring Soviet theoretical writings on the use of satire to the attention of scholars outside of Russia. By introducing important bodies of work that have largely been overlooked in the fields of art history, film and theatre history, Annie Gérin provides a nuanced and alternative reading of early Soviet art. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 |
_aArt and state _zSoviet Union. |
|
| 650 | 0 | _aArts, Soviet. | |
| 650 | 0 |
_aLaughter _zSoviet Union. |
|
| 650 | 0 | _aSatire in art. | |
| 650 | 0 | _aSatire, Soviet. | |
| 650 | 7 |
_aART / History / Modern (late 19th Century to 1945). _2bisacsh |
|
| 653 | _aAnatoly Lunacharsky. | ||
| 653 | _aSatire. | ||
| 653 | _aSoviet. | ||
| 653 | _aart. | ||
| 653 | _acinema. | ||
| 653 | _acircus. | ||
| 653 | _atheatre. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781487515324 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781487515324/original |
| 942 | _cEB | ||
| 999 |
_c219763 _d219763 |
||