000			03617nam a22006375i 4500
001			219830
003			IT-RoAPU
005			20250106150802.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			241019t20182019onc fo d z eng d
020			_a9781487503888 _qprint
020			_a9781487518981 _qPDF
024	7		_a10.3138/9781487518981 _2doi
035			_a(DE-B1597)9781487518981
035			_a(DE-B1597)518205
035			_a(OCoLC)1088907775
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aARC000000 _2bisacsh
082	0	4	_a792.094509031 _qOCoLC _223/eng/20230216
084			_aonline - DeGruyter
100	1		_aBerzal de Dios, Jimena _eautore
245	1	0	_aVisual Experiences in Cinquecento Theatrical Spaces / _cJimena Berzal de Dios.
264		1	_aToronto : _bUniversity of Toronto Press, _c[2018]
264		4	_c2019
300			_a1 online resource (216 p.) : _b70 b&w illustrations
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aToronto Italian Studies
505	0	0	_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgments -- _tIntroduction: Striking the Stage -- _t1. Magic and Mimesis: La Calandria and the Idea of Rome -- _t2. The Artificial City on Stage -- _t3. Palladio, Scamozzi, and the Built Theatre as Enclosure -- _t4. The Medici Theatres, Political Aspirations, and Cognitive Autonomy -- _tNotes -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThrough an interdisciplinary examination of sixteenth-century theatre, Visual Experiences in Cinquecento Theatrical Spaces studies the performative aspects of the early modern stage, paying special attention to the overlooked complexities of audience experience. Examining the period’s philosophical and aesthetic ideas about space, place, and setting, the book shows how artists consciously moved away from traditional representations of real spaces on stage, instead providing their audiences with more imaginative and collaborative engagements that were untethered by strict definitions of naturalism. In this way, the book breaks with traditional interpretations of early modern staging techniques, arguing that the goal of artists in this period was not to cater to a single privileged viewer through the creation of a naturalistically unified stage but instead to offer up a complex multimedia experience that would captivate a diverse assembly of theatre-goers.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 19. Oct 2024)
650		0	_aItalian drama _yTo 1700 _xHistory and criticism.
650		0	_aTheater audiences.
650		0	_aTheater _zItaly _xHistory _y16th century.
650		0	_aTheaters _xStage-setting and scenery _zItaly _xHistory _y16th century.
650		7	_aARCHITECTURE / General. _2bisacsh
653			_aTheatre architecture.
653			_acity views.
653			_adrama.
653			_aearly modern.
653			_alinear perspective.
653			_ascenography.
653			_asixteenth century.
653			_atheatre design.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.3138/9781487518981
856	4	0	_uhttps://www.degruyter.com/isbn/9781487518981
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781487518981/original
942			_cEB
999			_c219830 _d219830