000			04112nam a22006855i 4500
001			219928
003			IT-RoAPU
005			20250106150804.0
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007			cr || ||||||||
008			241019t20202020onc fo d z eng d
020			_a9781487504618 _qprint
020			_a9781487534615 _qPDF
024	7		_a10.3138/9781487534615 _2doi
035			_a(DE-B1597)9781487534615
035			_a(DE-B1597)634318
035			_a(OCoLC)1144498967
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPQ4145 _b.R59 2020
072		7	_aLIT013000 _2bisacsh
082	0	4	_a852/.9140911 _223
084			_aonline - DeGruyter
100	1		_aRizzo, Gianluca _eautore
245	1	0	_aPoetry on Stage : _bThe Theatre of the Italian Neo-Avant-Garde / _cGianluca Rizzo.
264		1	_aToronto : _bUniversity of Toronto Press, _c[2020]
264		4	_c2020
300			_a1 online resource (472 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aToronto Italian Studies
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tNote on Terminology -- _tIntroduction -- _t1 Why the Theatre? The Role of the Stage in the Theoretical Debate Surrounding the Poetry and Poetics of the Neo-Avant- Garde -- _t2 The Italian Stage in the 1960s -- _t3 A Few Theoretical Notes on Breath and Text: Antonio Porta and Giuliano Scabia -- _t4 An Introduction to Pagliarani’s Theatre -- _t5 Collaborations and Convergences: Pagliarani, Giuliani, Celli, and Sanguineti -- _tInterviews -- _tInterview with Valentina Valentini, Rome, 25 March 2017 -- _tInterview with Pippo Di Marca, Rome, 25 March 2017 -- _tInterview with Nanni Balestrini, Milan, 4 April 2017 -- _tInterview with Giuliano Scabia, Florence, 1 April 2017 -- _tNotes -- _tWorks Cited -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aPoetry on Stage focuses on exchanges between the writers of the Italian neo-avant-garde with the actors, directors, and playwrights of the Nuovo Teatro. The book sheds light on a forgotten chapter of twentieth-century Italian literature, arguing that the theatre was the ideal incubator for stylistic and linguistic experiments and a means through which authors could establish direct contact with their audience and verify solutions to the practical and theoretical problems raised by their stances in politics and poetics. A robust analysis of a number of exemplary texts grounds these issues in the plays and poems produced at the time and connects them with the experimentations subsequently carried out by some of the same artists. In-depth interviews with four of the most influential figures in the field – critic Valentina Valentini, actor and director Pippo Di Marca, author Giuliano Scabia, and the late poet Nanni Balestrini – conclude the volume, providing invaluable first-hand testimony that brings to life the people and controversies discussed.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 19. Oct 2024)
650		0	_aExperimental drama, Italian _xHistory and criticism.
650		0	_aItalian drama _y20th century _xHistory and criticism.
650		7	_aLITERARY CRITICISM / Drama. _2bisacsh
653			_aGruppo 63.
653			_aItalian literature.
653			_aNuovo Teatro.
653			_aavant-garde theatre.
653			_aexperimental.
653			_aneo-avant-garde.
653			_aoral.
653			_aperformance.
653			_apoetry.
653			_apolitical poetry.
653			_apolitical theatre.
653			_atheatre.
653			_atransmedia.
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.3138/9781487534615
856	4	0	_uhttps://www.degruyter.com/isbn/9781487534615
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781487534615/original
942			_cEB
999			_c219928 _d219928