000 04188nam a22006855i 4500
001 219972
003 IT-RoAPU
005 20250106150805.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 241019t20212021onc fo d z eng d
020 _a9781487508418
_qprint
020 _a9781487538187
_qPDF
024 7 _a10.3138/9781487538187
_2doi
035 _a(DE-B1597)9781487538187
035 _a(DE-B1597)583299
035 _a(OCoLC)1238010867
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aART015110
_2bisacsh
082 0 4 _a379.2/630977311
_222
084 _aonline - DeGruyter
100 1 _aPraznik, Katja
_eautore
245 1 0 _aArt Work :
_bInvisible Labour and the Legacy of Yugoslav Socialism /
_cKatja Praznik.
264 1 _aToronto :
_bUniversity of Toronto Press,
_c[2021]
264 4 _c2021
300 _a1 online resource (232 p.) :
_b9 b&w illustrations
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tContents --
_tIllustrations --
_tAcknowledgments --
_tIntroduction: Te Paradoxical Visibility of Yugoslav Art Workers, or Should Artists Strike? --
_tChapter One The Autonomy of Art and the Emancipation of Artistic Labour --
_tChapter Two A Feminist Approach to the Disavowed Economy of Art --
_tChapter Three The Making of Yugoslav Art Workers: Artistic Labour and the Socialist Institution of Art --
_tChapter Four The Mystification of Artistic Labour under Socialism --
_tChapter Five Art Workers and the Hidden Class Conflict of Late Socialism --
_tChapter Six The Contradictions of 1980s Alternative Ar --
_tConclusion Post-Yugoslav Dispossession and the Contradictions of Artistic Labour after Socialism --
_tNotes --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn Art Work, Katja Praznik counters the Western understanding of art – as a passion for self-expression and an activity done out of love, without any concern for its financial aspects – and instead builds a case for understanding art as a form of invisible labour. Focusing on the experiences of art workers and the history of labour regulation in the arts in socialist Yugoslavia, Praznik helps elucidate the contradiction at the heart of artistic production and the origins of the mystification of art as labour. This profoundly interdisciplinary book highlights the Yugoslav socialist model of culture as the blueprint for uncovering the interconnected aesthetic and economic mechanisms at work in the exploitation of artistic labour. It also shows the historical trajectory of how policies toward art and artistic labour changed by the end of the 1980s. Calling for a fundamental rethinking of the assumptions behind Western art and exploitative labour practices across the world, Art Work will be of interest to scholars in East European studies, art theory, and cultural policy, as well as to practicing artists.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 19. Oct 2024)
650 0 _aArt
_xEconomic aspects
_zYugoslavia.
650 0 _aArt, Yugoslav
_y20th century.
650 0 _aSocialism and art
_zYugoslavia.
650 0 _aUnpaid labor
_zYugoslavia.
650 7 _aART / History / Contemporary (1945-).
_2bisacsh
653 _aYugoslavia.
653 _aart and economy.
653 _aart and labour.
653 _aartistic labour.
653 _aautonomy of art.
653 _acreative labour.
653 _acultural labour.
653 _acultural policy.
653 _ainvisible labour.
653 _alabor.
653 _aprecarious work.
653 _aself-management.
653 _asocialism.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.3138/9781487538187
856 4 0 _uhttps://www.degruyter.com/isbn/9781487538187
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781487538187/original
942 _cEB
999 _c219972
_d219972