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| 001 | 219982 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150806.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 241019t20212021onc fo d z eng d | ||
| 020 |
_a9781487508746 _qprint |
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| 020 |
_a9781487538866 _qPDF |
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| 024 | 7 |
_a10.3138/9781487538866 _2doi |
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| 035 | _a(DE-B1597)9781487538866 | ||
| 035 | _a(DE-B1597)577777 | ||
| 035 | _a(OCoLC)1226516144 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aPR641 | |
| 072 | 7 |
_aDRA018000 _2bisacsh |
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| 082 | 0 | 4 |
_a822/.10935266 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aPugh, Tison _eautore |
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| 245 | 1 | 0 |
_aOn the Queerness of Early English Drama : _bSex in the Subjunctive / _cTison Pugh. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[2021] |
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| 264 | 4 | _c2021 | |
| 300 | _a1 online resource (256 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction Quem quaeritis? Queerness in Early English Drama -- _tPART ONE Queer Theories and Themes of Early English Drama -- _tChapter One A Subjunctive Theory of Dramatic Queerness -- _tChapter Two Themes of Friendship and Sodomy -- _tPART TWO Queer Readings of Early English Drama -- _tChapter Three Performative Typology, Jewish Genders, and Jesus’s Queer Romance in the York Corpus Christi Plays -- _tChapter Four Excremental Desire, Queer Allegory, and the Disidentified Audience of Mankind -- _tChapter Five Sodomy, Chastity, and Queer Historiography in John Bale’s Interludes -- _tChapter Six Camp and the Hermaphroditic Gaze in Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis -- _tConclusion Terrence McNally’s Corpus Christi and the Queer Legacy of Early English Drama -- _tNotes -- _tBibliography -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aOften viewed as theologically conservative, many theatrical works of late medieval and early Tudor England nevertheless exploited the performative nature of drama to flirt with unsanctioned expressions of desire, allowing queer identities and themes to emerge. Early plays faced vexing challenges in depicting sexuality, but modes of queerness, including queer scopophilia, queer dialogue, queer characters, and queer performances, fractured prevailing restraints. Many of these plays were produced within male homosocial environments, and thus homosociality served as a narrative precondition of their storylines. Building from these foundations, On the Queerness of Early English Drama investigates occluded depictions of sexuality in late medieval and early Tudor dramas. Tison Pugh explores a range of topics, including the unstable genders of the York Corpus Christi Plays, the morally instructive humour of excremental allegory in Mankind, the confused relationship of sodomy and chastity in John Bale’s historical interludes, and the camp artifice and queer carnival of Sir David Lyndsay’s Ane Satyre of the Thrie Estaitis. Pugh concludes with Terrence McNally’s Corpus Christi, pondering the afterlife of medieval drama and its continued utility in probing cultural constructions of gender and sexuality | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 19. Oct 2024) | |
| 650 | 0 | _aDesire in literature. | |
| 650 | 0 |
_aEnglish drama _yTo 1500 _xHistory and criticism. |
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| 650 | 0 | _aGender identity in literature. | |
| 650 | 0 | _aHomosexuality in literature. | |
| 650 | 0 | _aSex in literature. | |
| 650 | 0 | _aSexual minorities in literature. | |
| 650 | 0 | _aSexual orientation in literature. | |
| 650 | 7 |
_aDRAMA / Medieval. _2bisacsh |
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| 653 | _aDavid Lyndsay. | ||
| 653 | _aEveryman. | ||
| 653 | _aJohn Bale. | ||
| 653 | _aTerrence McNally. | ||
| 653 | _aTudor. | ||
| 653 | _aYork Corpus Christi Plays. | ||
| 653 | _aallegory. | ||
| 653 | _adrama. | ||
| 653 | _aearly English drama. | ||
| 653 | _amedieval. | ||
| 653 | _amorality plays. | ||
| 653 | _aqueer scopophilia. | ||
| 653 | _aqueer. | ||
| 653 | _asexuality. | ||
| 653 | _atheatre. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.3138/9781487538866 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781487538866 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781487538866/original |
| 942 | _cEB | ||
| 999 |
_c219982 _d219982 |
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