000			04268nam a2200529Ia 4500
001			220071
003			IT-RoAPU
005			20231211164129.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			231101t19951995onc fo d z eng d
020			_a9780802076403 _qprint
020			_a9781487573768 _qPDF
024	7		_a10.3138/9781487573768 _2doi
035			_a(DE-B1597)9781487573768
035			_a(DE-B1597)536917
035			_a(OCoLC)1129216044
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aDA685.B65B5 1995
072		7	_aLIT004120 _2bisacsh
082	0	4	_a942.1082/3
084			_aonline - DeGruyter
245	0	4	_aThe Bloomsbury Group : _bA Collection of Memoirs and Commentary / _ced. by S.P. Rosenbaum.
264		1	_aToronto : _bUniversity of Toronto Press, _c[1995]
264		4	_c©1995
300			_a1 online resource (534 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aHeritage
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aBloomsbury, wrote E.M. Forster in 1929, 'is the only genuine movement in English civilization.' By this time the group's influence had been extended from fiction, biography, economics, and painting through literary, social, and art criticism to publishing and journalism. Partly as a result of its influence, Bloomsbury has been widely misunderstood as a cultural, social, and even sexual phenomenon by both its friends and its detractors. As S.P. Rosenbaum observes in the foreword to this revised and expanded edition, Bloomsbury cannot be reduced to a creed or argued away because of its complexity. 'What Bloomsbury stood for is what they were and what they did,' he writes, 'That is why a collection of descriptions of the Bloomsbury's lives and works may be the only wholly satisfactory way of defining the Bloomsbury Group.'The first section of the volume, Bloomsbury on Bloomsbury, contains the basic memoirs and discussions of the Group itself by the original members, Virginia and Leonard Woolf, Vanessa and Clive Bell, E.M. Forster, Roger Fry, John Maynard Keynes, Lytton Strachey, Duncan Grant, Desmond MacCarthy, and others. These recollections range from unpublished private correspondence and diaries to formal autobiographies. Published here for the first time is the remainder of Desmond MacCarthy's unfinished Bloomsbury memoir. Virginia Woolf's complete Memoir Club paper on Old Bloomsbury and excerpts from her letters and diaries also appear, as do letters about Bloomsbury by Lytton Strachey, Roger Fry, E.M. Forster, and Vanessa Bell. The second section, Bloomsberries, contains observations on individuals by other members of the group and their children. Virginia Woolf's hitherto unknown biographical fantasy on J.M. Keynes is newly added, as are accounts of Molly MacCarthy, Lydia Lopokova, and David Garnett. Bloomsbury Observed, the last section, consists of reminiscences of the group mainly by their contemporaries. Additions to the revised edition include an early anonymous newspaper account of Bloomsbury, and observations by Quentin Bell, Beatrice Webb, Gerald Brenan, Christopher Isherwood, Frances Partridge, and others. Also included are an updated chronology recording the principal events in the careers of Bloomsbury's members and an enlarged bibliography.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
650		0	_aArtists _zEngland _zLondon _vBiography.
650		0	_aAuthors, English _xHomes and haunts _zEngland _zLondon.
650		0	_aAuthors, English _y20th century _vBiography.
650		0	_aIntellectuals _zEngland _zLondon _vBiography.
650		7	_aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh. _2bisacsh
700	1		_aRosenbaum, S.P. _ecuratore
850			_aIT-RoAPU
856	4	0	_uhttps://www.degruyter.com/isbn/9781487573768
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781487573768/original
942			_cEB
999			_c220071 _d220071