000			03094nam a2200517Ia 4500
001			220224
003			IT-RoAPU
005			20231211164138.0
006			m|||||o||d||||||||
007			cr || ||||||||
008			231101t19941994onc fo d z eng d
020			_a9781487572709 _qprint
020			_a9781487575595 _qPDF
024	7		_a10.3138/9781487575595 _2doi
035			_a(DE-B1597)9781487575595
035			_a(DE-B1597)527706
035			_a(OCoLC)1114826320
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPQ295.R4
072		7	_aLIT004150 _2bisacsh
082	0	4	_a840.9/007 _223
084			_aonline - DeGruyter
100	1		_aDespland, Michel _eautore
245	1	0	_aReading an Erased Code : _bRomantic Religion and Literary Aesthetics in France / _cMichel Despland.
264		1	_aToronto : _bUniversity of Toronto Press, _c[1994]
264		4	_c©1994
300			_a1 online resource (232 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aHeritage
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aThe end of the eighteenth century, an age of political and cultural crisis particularly in France, saw a shift in the meaning of belief. Simply put, a break in continuity occurred between the old, religious and a new, literary reading of Scripture. Michel Despland selects five writers who were caught up in this new reading of the old religious text and who came to write about religion in innovative ways: Jean-Jacques Roussean, François-René de Chateaubriand, Charles Nodier, Alfred de Vigny, and Gérard de Nerval. Their use of the autobiographical voice, and of a range of literary devices that encouraged the distanciation of readers from what they read, brought about a profound transmutation of religious writing. The old code of orthodoxy -- what was traditionally believed and socially confirmed -- was replaced with a more readable, personal text. The five writers treated by Despland helped shape a broader definition of belief, on that included individual sensibility. The works they produced are, in a sense, new religious texts. They did not just restate or reinterpret the code, but achieved a new kind of narrative, which has become dominant in the modern era and has shaped individual relationships to all codes.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)
650		0	_aChristianity in literature.
650		0	_aFrench literature _y19th century _xHistory and criticism.
650		0	_aRomanticism _zFrance.
650		7	_aLITERARY CRITICISM / European / French. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://www.degruyter.com/isbn/9781487575595
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781487575595/original
942			_cEB
999			_c220224 _d220224