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| 001 | 220302 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211164143.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 231101t19931993onc fo d z eng d | ||
| 020 |
_a9781487577308 _qprint |
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| 020 |
_a9781487576592 _qPDF |
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| 024 | 7 |
_a10.3138/9781487576592 _2doi |
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| 035 | _a(DE-B1597)9781487576592 | ||
| 035 | _a(DE-B1597)536806 | ||
| 035 | _a(OCoLC)1129148748 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 |
_aPN4913.I79 _bM33 1993 |
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| 072 | 7 |
_aBIO025000 _2bisacsh |
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| 082 | 0 | 4 |
_a070.5/1/092 _220 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aMacKenzie, David _eautore |
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| 245 | 1 | 0 |
_aArthur Irwin : _bA Biography / _cDavid MacKenzie. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[1993] |
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| 264 | 4 | _c©1993 | |
| 300 | _a1 online resource (360 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aHeritage | |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aFrom 1925 to 1950, Arthur Irwin was the driving force behind the success of Maclean's Magazine, first as an associate editor, then managing editor, and, finally, as an editor. He had strong views on what it meant to be Canadian, and under his direction Maclean's was moulded into 'Canada's National Magazine,' mirroring the development of Canada as an independent nation in the twentieth century. In the years before the outbreak of the Second World War, he was at the centre of the Maclean Company's investigation of the Department of National Defence's system of defence contracting, or what has become known as the 'Bren Gun Scandal.' In the 1940s Irwin actively sought out writers of talent and potential and gradually added to the magazine's staff many Canadian writers who went on to distinguished careers, including Ralph Allen, Pierre Berton, Blair Fraser, and Scott Young. After leaving Maclean's in 1950, Irwin was appointed film commissioner at the National Film Board, during a time when the board's survival was in doubt because of allegations of espionage and subversion. Irwin was the man called in to deal with the NFB's 'red scare,' and, afterwards, he reorganized the board and moved its operations from Ottawa to Montreal. Irwin subsequently went on to a career as a diplomat: he was appointed high commissioner in Australia, and ambassador to Brazil and Mexico. In his last professional position he was publisher of a Victoria newspaper. This book, in describing a man who was profoundly representative of his times, and whose presence in major Canadian institutions was influential, captures the mood of Irwin's period, and raises important questions about the roots of present-day Canadian nationalism and cultural identity. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 0 |
_aDiplomats _zCanada _vBiography. |
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| 650 | 0 |
_aPeriodical editors _zCanada _vBiography. |
|
| 650 | 7 |
_aBIOGRAPHY & AUTOBIOGRAPHY / Editors, Journalists, Publishers. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781487576592 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781487576592/original |
| 942 | _cEB | ||
| 999 |
_c220302 _d220302 |
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