| 000 | 03085nam a2200469Ia 4500 | ||
|---|---|---|---|
| 001 | 220526 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211164156.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 231101t19771977onc fo d z eng d | ||
| 020 |
_a9780802063946 _qprint |
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| 020 |
_a9781487580452 _qPDF |
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| 024 | 7 |
_a10.3138/9781487580452 _2doi |
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| 035 | _a(DE-B1597)9781487580452 | ||
| 035 | _a(DE-B1597)527871 | ||
| 035 | _a(OCoLC)1129184985 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT015000 _2bisacsh |
|
| 082 | 0 | 4 |
_a822.33 _223 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aReibetanz, John _eautore |
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| 245 | 1 | 4 |
_aThe Lear World : _bA study of King Lear in its dramatic context / _cJohn Reibetanz. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[1977] |
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| 264 | 4 | _c©1977 | |
| 300 | _a1 online resource (154 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aHeritage | |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aThe dramatic traditions and conventions available to Shakespeare at the time he wrote King Lear were so rich and varied as to constitute an extremely resonant and complex vocabulary, one that Shakespeare fully utilized to shape his audience's response and to create the unique world of this play. Professor Reibetanz argues that many of the qualities that set Lear apart from Shakespeare's other tragedies are those it shares with Jacobean drama rather than with earlier Elizabethan drama. The tightly enclosed world of the play, operating within an internal logic independent of the real world, reflects a structure, to cultivate sheer virtuosity of technique, however, Shakespeare used it to reinforce a profound, archetypal emotional experience, an effect more characteristic of Greek than of Jacobean tragedy. Shakespeare's use of popular Elizabethan conventions of character definition similarly conveys the elemental quality of a play-world detached from ordinary reality. Yet Shakespeare adopts the conventions not to catapult his characters into the abstract and theoretical world of earlier drama but to apply the power of that world to an essentially human experience. The play asserts, structurally and thematically, the dominance of feeling above form. The Lear World reflects the depth and eclecticism of Shakespeare's use of dramatic traditions, and deepens our understanding of a compelling and powerful tragedy. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 7 |
_aLITERARY CRITICISM / Shakespeare. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781487580452 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781487580452/original |
| 942 | _cEB | ||
| 999 |
_c220526 _d220526 |
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