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| 001 | 221025 | ||
| 003 | IT-RoAPU | ||
| 005 | 20231211164226.0 | ||
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| 008 | 231101t19821982onc fo d z eng d | ||
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_a9781487599980 _qPDF |
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| 024 | 7 |
_a10.3138/9781487599980 _2doi |
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| 035 | _a(DE-B1597)9781487599980 | ||
| 035 | _a(DE-B1597)513947 | ||
| 035 | _a(OCoLC)1091713197 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLIT024040 _2bisacsh |
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| 082 | 0 | 4 | _a821.7 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aJohnson, Lee _eautore |
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| 245 | 1 | 0 |
_aWordsworth's Metaphysical Verse : _bGeometry, Nature, and Form / _cLee Johnson. |
| 264 | 1 |
_aToronto : _bUniversity of Toronto Press, _c[1982] |
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| 264 | 4 | _c©1982 | |
| 300 | _a1 online resource (252 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aHeritage | |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aIn his philosophic verse, Woodsworth identifies the history of poetry and geometrical thought as the two chief treasures of the mind and as main sources of his poetic inspiration. He assigns transcendental value to geometry and indicates that he attempts to apply its proportions to the laws of nature. In this book, Professor Johnson demonstrates how Wordsworth also employed geometrical patterns in the metrical construction of his verse and how the character of those patterns can be related to the poet's major philosophical values. Johnson shows how Wordsworth, when writing about the nature and significance of geometrical thought in The Prelude and The Excursion, designs his verse paragraphs in accordance with simple geometrical proportions which are thereby associated with the metaphysical value he attributes to geometry. Wordsworth finds geometrical forms to be hidden in the natural landscape and inherent in the structures of perception itself. This book is the first to make a sustained description of Wordsworth's symbolic patterns and metrical forms in his philosophic verse, with major examples drawn from Tintern Abbey, The Prelude, The Excursion, and the Immortality Ode. Although it presents an approach which differs radically from any in the established criticism of the poet, it is basically at one with the large body of work that concerns the nature of Wordsworth's imagination. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023) | |
| 650 | 7 |
_aLITERARY CRITICISM / Modern / 19th Century . _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781487599980 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781487599980/original |
| 942 | _cEB | ||
| 999 |
_c221025 _d221025 |
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