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020 _a9781501515415
_qprint
020 _a9781501506697
_qEPUB
020 _a9781501506796
_qPDF
024 7 _a10.1515/9781501506796
_2doi
035 _a(DE-B1597)9781501506796
035 _a(DE-B1597)480574
035 _a(OCoLC)1083596833
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aLAN009000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aClark, Urszula
_eautore
245 1 0 _aStaging Language :
_bPlace and Identity in the Enactment, Performance and Representation of Regional Dialects /
_cUrszula Clark.
264 1 _aBerlin ;
_aBoston :
_bDe Gruyter Mouton,
_c[2019]
264 4 _c©2019
300 _a1 online resource (IX, 179 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aLanguage and Social Life [LSL] ,
_x2364-4303 ;
_v13
505 0 0 _tFrontmatter --
_tAcknowledgements --
_tContents --
_t1 Staging language: Place and identity in the enactment, performance and representation of regional dialects --
_t2 Further theoretical considerations --
_t3 Staging language in performance: Comedy and parody --
_t4 Staging language in performance: Comedy and parody in contemporary Afro Caribbean performances --
_t5 Staging language in performance: Performance poetry and drama --
_t6 Agentive and situational dialect use: Place and identity in and beyond staged performance --
_tReferences --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aAlthough there are many studies on linguistic variation as it relates to both "traditional" and "new" media such as film, TV, newspapers, and online behavior, little has been written about spoken performance in overt but face-to-face conversations. This book bridges that gap, and focuses on an "in between" zone between casual face-to-face conversations and the type of heavily scripted language of most traditional spoken media. The book draws upon a substantial amount of empirical data in its investigation of the role played by performance texts in creating, maintaining and challenging imagined communities and focuses upon the ways in which performance contributes to people's sense of the kinds of use for which dialect/variational use is appropriate and those for which it is not. It sheds light on how such stylization intersects with multiple social indexes and how performers and other creative artists challenge and mock hegemonic practices through enregistering a defined set of linguistic variables in the context of their performance and other associated written texts.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024)
650 7 _aLANGUAGE ARTS & DISCIPLINES / Linguistics / General.
_2bisacsh
653 _aEnregisterment.
653 _aLinguistic Variation.
653 _aPerformance.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.1515/9781501506796
856 4 0 _uhttps://www.degruyter.com/isbn/9781501506796
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781501506796/original
942 _cEB
999 _c221142
_d221142