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| 001 | 221142 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150817.0 | ||
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| 008 | 240625t20192019gw fo d z eng d | ||
| 020 |
_a9781501515415 _qprint |
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| 020 |
_a9781501506697 _qEPUB |
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| 020 |
_a9781501506796 _qPDF |
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_a10.1515/9781501506796 _2doi |
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| 035 | _a(DE-B1597)9781501506796 | ||
| 035 | _a(DE-B1597)480574 | ||
| 035 | _a(OCoLC)1083596833 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 072 | 7 |
_aLAN009000 _2bisacsh |
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| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aClark, Urszula _eautore |
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| 245 | 1 | 0 |
_aStaging Language : _bPlace and Identity in the Enactment, Performance and Representation of Regional Dialects / _cUrszula Clark. |
| 264 | 1 |
_aBerlin ; _aBoston : _bDe Gruyter Mouton, _c[2019] |
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| 264 | 4 | _c©2019 | |
| 300 | _a1 online resource (IX, 179 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 |
_aLanguage and Social Life [LSL] , _x2364-4303 ; _v13 |
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| 505 | 0 | 0 |
_tFrontmatter -- _tAcknowledgements -- _tContents -- _t1 Staging language: Place and identity in the enactment, performance and representation of regional dialects -- _t2 Further theoretical considerations -- _t3 Staging language in performance: Comedy and parody -- _t4 Staging language in performance: Comedy and parody in contemporary Afro Caribbean performances -- _t5 Staging language in performance: Performance poetry and drama -- _t6 Agentive and situational dialect use: Place and identity in and beyond staged performance -- _tReferences -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aAlthough there are many studies on linguistic variation as it relates to both "traditional" and "new" media such as film, TV, newspapers, and online behavior, little has been written about spoken performance in overt but face-to-face conversations. This book bridges that gap, and focuses on an "in between" zone between casual face-to-face conversations and the type of heavily scripted language of most traditional spoken media. The book draws upon a substantial amount of empirical data in its investigation of the role played by performance texts in creating, maintaining and challenging imagined communities and focuses upon the ways in which performance contributes to people's sense of the kinds of use for which dialect/variational use is appropriate and those for which it is not. It sheds light on how such stylization intersects with multiple social indexes and how performers and other creative artists challenge and mock hegemonic practices through enregistering a defined set of linguistic variables in the context of their performance and other associated written texts. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 25. Jun 2024) | |
| 650 | 7 |
_aLANGUAGE ARTS & DISCIPLINES / Linguistics / General. _2bisacsh |
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| 653 | _aEnregisterment. | ||
| 653 | _aLinguistic Variation. | ||
| 653 | _aPerformance. | ||
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.1515/9781501506796 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781501506796 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781501506796/original |
| 942 | _cEB | ||
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_c221142 _d221142 |
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