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| 001 | 221721 | ||
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| 005 | 20250106150839.0 | ||
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| 008 | 240426t20181997nyu fo d z eng d | ||
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_a9781501717222 _qPDF |
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| 024 | 7 |
_a10.7591/9781501717222 _2doi |
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| 035 | _a(DE-B1597)9781501717222 | ||
| 035 | _a(DE-B1597)503374 | ||
| 035 | _a(OCoLC)1038494640 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aPA5250.V358 1998 | |
| 072 | 7 |
_aLIT014000 _2bisacsh |
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| 082 | 0 | 4 | _a889/.13409355 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aVan Dyck, Karen _eautore |
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| 245 | 1 | 0 |
_aKassandra and the Censors : _bGreek Poetry since 1967 / _cKaren Van Dyck. |
| 264 | 1 |
_aIthaca, NY : _bCornell University Press, _c[2018] |
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| 264 | 4 | _c©1997 | |
| 300 |
_a1 online resource (328 p.) : _b10 halftones |
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| 336 |
_atext _btxt _2rdacontent |
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_acomputer _bc _2rdamedia |
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_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 490 | 0 | _aReading Women Writing | |
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tAcknowledgments -- _tNote on Transliteration and Translation -- _tIntroduction -- _t1. Power, Language, and the Discourses of the Dictatorship -- _t2. Poetry, Politics, and the Generation of the 19705 -- _t3. Women's Writing and the Sexual Politics of Censorship -- _t4. Rhea Galanaki's The Cake and the Deferred Delivery -- _t5. Jenny Mastoraki's Tales of the Deep and the Purloined Letter -- _t6. Maria Laina's Hers and the Unreciprocated Look -- _tEpilogue -- _tWorks Consulted -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
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| 520 | _aIn this pioneering study of contemporary Greek poetry, Karen Van Dyck investigates modernist and postmodernist poetics at the edge of Europe. She traces the influential role of Greek women writers back to the sexual politics of censorship under the dictatorship (1967-1974). Reading the effects of censorship—in cartoons, the dictator's speeches, the poetry of the Nobel Laureate George Seferis, and the younger generation of poets—she shows how women poets use strategies which, although initiated in response to the regime's press law, prove useful in articulating a feminist critique. In poetry collections by Rhea Galanaki, Jenny Mastoraki and Maria Laina, among others, she analyzes how the censors'tactics for stabilizing signification are redeployed to disrupt fixed meanings and gender roles.As much a literary analysis of culture as a cultural analysis of literature, her book explores how censorship, consumerism, and feminism influence contemporary Greek women's poetry as well as how the resistance to clarity in this poetry trains readers to rethink these cultural practices. Only with greater attention to the cultural and formal specificity of writing, Van Dyck argues, is it possible to theorize the lessons of censorship and women's writing. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024) | |
| 650 | 4 | _aEurope. | |
| 650 | 4 | _aLiterary Studies. | |
| 650 | 7 |
_aLITERARY CRITICISM / Poetry. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7591/9781501717222 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781501717222 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781501717222/original |
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