000			03889nam a22005295i 4500
001			222269
003			IT-RoAPU
005			20221214234624.0
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008			220302t20181996nyu fo d z eng d
020			_a9781501725296 _qPDF
024	7		_a10.7591/9781501725296 _2doi
035			_a(DE-B1597)9781501725296
035			_a(DE-B1597)514997
035			_a(OCoLC)1129170084
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aDC317
072		7	_aHIS013000 _2bisacsh
082	0	4	_a944.081 2 _220
084			_aonline - DeGruyter
100	1		_aGullickson, Gay L. _eautore
245	1	0	_aUnruly Women of Paris : _bImages of the Commune / _cGay L. Gullickson.
264		1	_aIthaca, NY : _bCornell University Press, _c[2018]
264		4	_c©1996
300			_a1 online resource (304 p.) : _b23 halftones, 1 map
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tIllustrations -- _tPreface -- _tIntroduction: Rereading the Commune -- _tSynopsis: La Commune de Paris -- _t1. The Women of March 18 -- _t2. Remembering and Representing -- _t3. The Symbolic Female Figure -- _t4. The Femmes Fortes of Paris -- _t5. Les Petroleuses -- _t6. Women on Trial -- _t7. The Unruly Woman and the Revolutionary City -- _tNotes -- _tSelected Bibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aIn this vividly written and amply illustrated book, Gay L. Gullickson analyzes the representations of women who were part of the insurrection known as the Paris Commune. The uprising and its bloody suppression by the French army is still one of the most hotly debated episodes in modern history. Especially controversial was the role played by women, whose prominent place among the Communards shocked many commentators and spawned the legend of the pétroleuses, women who were accused of burning the city during the battle that ended the Commune.In the midst of the turmoil that shook Paris, the media distinguished women for their cruelty and rage. The Paris-Journal, for example, raved: "Madness seems to possess them; one sees them, their hair down like furies, throwing boiling oil, furniture, paving stones, on the soldiers." Gullickson explores the significance of the images created by journalists, memoirists, and political commentators, and elaborated by latter-day historians and political thinkers. The pétroleuse is the most notorious figure to emerge from the Commune, but the literature depicts the Communardes in other guises, too: the innocent victim, the scandalous orator, the Amazon warrior, and the ministering angel, among others. Gullickson argues that these caricatures played an important role in conveying and evoking moral condemnation of the Commune. More important, they reveal the gender conceptualizations that structured, limited, and assigned meaning to women as political actors for the balance of the nineteenth and well into the twentieth century.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650		0	_aWomen revolutionaries _zFrance _zParis _xHistory _y19th century.
650		0	_aWomen's rights _zFrance.
650		4	_aWest European History.
650		4	_aWomens Studies.
650		7	_aHISTORY / Europe / France. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7591/9781501725296
856	4	0	_uhttps://www.degruyter.com/isbn/9781501725296
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781501725296/original
942			_cEB
999			_c222269 _d222269