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020 _a9781501727566
_qPDF
024 7 _a10.7591/9781501727566
_2doi
035 _a(DE-B1597)9781501727566
035 _a(DE-B1597)515063
035 _a(OCoLC)1083622933
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPR888.S58
_bL38 2003eb
072 7 _aLIT004120
_2bisacsh
082 0 4 _a820.9/353
_223
084 _aonline - DeGruyter
100 1 _aLatham, Sean
_eautore
245 1 0 _aAm I a Snob? :
_bModernism and the Novel /
_cSean Latham.
264 1 _aIthaca, NY :
_bCornell University Press,
_c[2018]
264 4 _c©2003
300 _a1 online resource (256 p.) :
_b1 halftone, 6 line drawings
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tILLUSTRATIONS --
_tACKNOWLEDGMENTS --
_tIntroduction --
_tPART ONE: A GENEALOGY OF SNOBBERY --
_tCHAPTER ONE. The Logic of the Pose: Thackeray and the Invention of Snobbery --
_tCHAPTER TWO. The Importance of Being a Snob: Oscar Wilde's Modern Pretensions --
_tPART TWO: THE WORK OF SNOBBERY --
_tCHAPTER THREE. Elegy for the Snob: Virginia Woolf and the Victorians --
_tCHAPTER FOUR. "An Aristocrat in Writing": Virginia Woolf and the Invention of the Modern Snob --
_tCHAPTER FIVE. A Portrait of the Snob: James Joyce and the Anxieties of Cultural Capital --
_tCHAPTER SIX. Deadly Pretensions: Dorothy L. Sayers and the Ends of Culture --
_tCHAPTER SEVEN. The Problem of Snobbery --
_tBIBLIOGRAPHY --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIs there a "great divide" between highbrow and mass cultures? Are modernist novels for, by, and about snobs? What might Lord Peter Wimsey, Mrs. Dalloway, and Stephen Dedalus have to say to one another?Sean Latham's appealingly written book "Am I a Snob?" traces the evolution of the figure of the snob through the works of William Makepeace Thackeray, Oscar Wilde, Virginia Woolf, James Joyce, and Dorothy Sayers. Each of these writers played a distinctive role in the transformation of the literary snob from a vulgar social climber into a master of taste. In the process, some novelists and their works became emblems of sophistication, treated as if they were somehow apart from or above the fiction of the popular marketplace, while others found a popular audience. Latham argues that both coterie writers like Joyce and popular novelists like Sayers struggled desperately to combat their own pretensions. By portraying snobs in their novels, they attempted to critique and even transform the cultural and economic institutions that they felt isolated them from the broad readership they desired.Latham regards the snobbery that emerged from and still clings to modernism not as an unfortunate by-product of aesthetic innovation, but as an ongoing problem of cultural production. Drawing on the tools and insights of literary sociology and cultural studies, he traces the nineteenth-century origins of the "snob," then explores the ways in which modernist authors developed their own snobbery as a means of coming to critical consciousness regarding the connections among social, economic, and cultural capital. The result, Latham asserts, is a modernism directly engaged with the cultural marketplace yet deeply conflicted about the terms of its success.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)
650 0 _aEnglish fiction
_y19th century
_xHistory and criticism.
650 0 _aEnglish fiction
_y20th century
_xHistory and criticism.
650 0 _aModernism (Literature)
_zGreat Britain.
650 0 _aSnobs and snobbishness in literature.
650 0 _aSocial classes in literature.
650 4 _aCultural Studies.
650 4 _aLiterary Studies.
650 7 _aLITERARY CRITICISM / European / English, Irish, Scottish, Welsh.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7591/9781501727566
856 4 0 _uhttps://www.degruyter.com/isbn/9781501727566
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781501727566/original
942 _cEB
999 _c222408
_d222408