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001			222446
003			IT-RoAPU
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008			240426t20182004nyu fo d z eng d
020			_a9781501728402 _qPDF
024	7		_a10.7591/9781501728402 _2doi
035			_a(DE-B1597)9781501728402
035			_a(DE-B1597)515532
035			_a(OCoLC)1091660558
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aHIS013000 _2bisacsh
082	0	4	_a940.2 _222
084			_aonline - DeGruyter
100	1		_aMah, Harold _eautore
245	1	0	_aEnlightenment Phantasies : _bCultural Identity in France and Germany, 1750–1914 / _cHarold Mah.
264		1	_aIthaca, NY : _bCornell University Press, _c[2018]
264		4	_c©2004
300			_a1 online resource (240 p.) : _b6 halftones, 1 chart/graph
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tAcknowledgments -- _tIntroduction -- _t1. THE MAN WITH Too MANY QuALITIES -- _t2. THE LANGUAGE OF CULTURAL IDENTITY -- _t3. STRANGE CLASSICISM -- _t4. CLASSICISM AND GENDER TRANSFORMATION -- _t5. THE FRENCH REVOLUTION AND THE PROBLEM OF TIME -- _tNotes -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aFor centuries the histories of France and Germany have been linked in ways productive and destructive, and each nation's sense of itself has often been shaped by admiration of or hostility toward the other. Harold Mah explores the interweaving paths of German and French cultural identity that emerged in the Enlightenment and continued through the nineteenth century and into the twentieth.Mah argues that the efforts of German and French intellectuals and artists to formulate stable cultural identities constantly collapsed in the face of other powerful images and the rush of history. In Mah's view, these shifting conceptions of cultural identity are problematic phantasies, internally unstable and prone to falling apart under the pressure of events, only to be replaced by new, equally problematic constructions. Mah offers fresh analyses of a wide range of iconic texts and artworks, including those of Jacques-Louis David, de Staël, Diderot, and Rousseau in France and Goethe, Hegel, Herder, Mann, Marx, and Nietzsche in Germany.Mah's book examines how attempts to define cultural identities were caught up in issues of language, gender, classical revival, politics, and modernity. Enlightenment Phantasies presents the shaping of cultural identity in narratives accessible not only to specialists but also to students and all readers concerned with the history of Western culture.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)
650		0	_aEnlightenment _zFrance _xInfluence.
650		0	_aEnlightenment _zGermany _xInfluence.
650		4	_aEurope.
650		4	_aHistory.
650		7	_aHISTORY / Europe / France. _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7591/9781501728402
856	4	0	_uhttps://www.degruyter.com/isbn/9781501728402
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781501728402/original
942			_cEB
999			_c222446 _d222446