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001			222611
003			IT-RoAPU
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008			240426t20182009nyu fo d z eng d
019			_a(OCoLC)1143617478
020			_a9781501731242 _qPDF
024	7		_a10.7591/9781501731242 _2doi
035			_a(DE-B1597)9781501731242
035			_a(DE-B1597)534541
035			_a(OCoLC)1141260432
040			_aDE-B1597 _beng _cDE-B1597 _erda
050		4	_aPS228.G45B76 2009
072		7	_aLIT024050 _2bisacsh
082	0	4	_a820.9355
084			_aonline - DeGruyter
100	1		_aBrown, Judith _eautore
245	1	0	_aGlamour in Six Dimensions : _bModernism and the Radiance of Form / _cJudith Brown.
264		1	_aIthaca, NY : _bCornell University Press, _c[2018]
264		4	_c©2009
300			_a1 online resource (216 p.) : _b17 halftones
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
505	0	0	_tFrontmatter -- _tContents -- _tList of Illustrations -- _tAcknowledgments -- _tIntroduction -- _t1. Perception -- _t2. Violence -- _t3. Photography -- _t4. Celebrity -- _t5. Primitivism -- _t6. Cellophane -- _tNotes -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aGlamour is an alluring but elusive concept. We most readily associate it with fashion, industrial design, and Hollywood of the Golden Age, and yet it also shaped the language and interests of high modernism. In Glamour in Six Dimensions, Judith Brown looks at the historical and aesthetic roots of glamour in the early decades of the twentieth century, arguing that glamour is the defining aesthetic of modernism. In the clean lines of modernism she finds the ideal conditions for glamour-blankness, polish, impenetrability, and the suspicion of emptiness behind it all.Brown focuses on several cultural products that she argues helped to shape glamour's meanings: the most significant perfume of the twentieth century, Chanel No. 5; the idea of the Jazz Age and its ubiquitous cigarette; the celebrity photograph; the staging of primitivism; and the invention of a shimmering plastic called cellophane. Alongside these artifacts, she takes up the development, refinement, and analysis of glamour in Anglo-American poetry, film, fiction, and drama of the period. Glamour in Six Dimensions thus asks its reader to see the proximity between the vernacular and elite cultures of modernism, and particularly how glamour was animated by artists working at the crossroads of the mundane and the extraordinary: Wallace Stevens, F. Scott Fitzgerald, Virginia Woolf, Josephine Baker, D. H. Lawrence, Gertrude Stein, Nella Larsen, and others.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)
650		0	_aAmerican literature _y20th century _xHistory and criticism.
650		0	_aEnglish literature _y20th century _xHistory and criticism.
650		0	_aGlamour in literature.
650		0	_aGlamour _xSocial aspects _zGreat Britain.
650		0	_aGlamour _xSocial aspects _zUnited States.
650		0	_aModernism (Aesthetics) _xSocial aspects _zGreat Britain.
650		0	_aModernism (Aesthetics) _xSocial aspects _zUnited States.
650		0	_aModernism (Literature) _zGreat Britain.
650		0	_aModernism (Literature) _zUnited States.
650		4	_aCultural Studies.
650		4	_aLiterary Studies.
650		7	_aLITERARY CRITICISM / Modern / 20th Century . _2bisacsh
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7591/9781501731242
856	4	0	_uhttps://www.degruyter.com/isbn/9781501731242
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781501731242/original
942			_cEB
999			_c222611 _d222611