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001			222673
003			IT-RoAPU
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008			240426t20181991nyu fo d z eng d
020			_a9781501731921 _qPDF
024	7		_a10.7591/9781501731921 _2doi
035			_a(DE-B1597)9781501731921
035			_a(DE-B1597)515306
035			_a(OCoLC)1091705717
040			_aDE-B1597 _beng _cDE-B1597 _erda
072		7	_aLIT004190 _2bisacsh
082	0	4	_a809.1/32 _220
084			_aonline - DeGruyter
100	1		_aLord, Albert Bates _eautore
245	1	0	_aEpic Singers and Oral Tradition / _cAlbert Bates Lord.
264		1	_aIthaca, NY : _bCornell University Press, _c[2018]
264		4	_c©1991
300			_a1 online resource (280 p.)
336			_atext _btxt _2rdacontent
337			_acomputer _bc _2rdamedia
338			_aonline resource _bcr _2rdacarrier
347			_atext file _bPDF _2rda
490	0		_aMyth and Poetics
505	0	0	_tFrontmatter -- _tContents -- _tForeword -- _tAcknowledgments -- _tIntroduction -- _tCHAPTER 1. Words Heard and Words Seen -- _tCHAPTER 2. Homer's Originality: Oral Dictated Texts -- _tCHAPTER 3. Homeric Echoes In Bihac -- _tCHAPTER 4. Avdo Mededovic, Guslar -- _tCHAPTER 5. Homer as an Oral-Traditional Poet -- _tCHAPTER 6. The Kalevala, the South Slavic Epics, and Homer -- _tCHAPTER 7. Beowulf and Odysseus -- _tCHAPTER 8. Interlocking Mythic Patterns in Beowulf -- _tCHAPTER 9. The Formulaic Structure of Introductions to Direct Discourse in Beowulf and Elene -- _tCHAPTER 10. The Influence of a Fixed Text -- _tCHAPTER 11. Notes on Digenis Akritas and Serbo-Croatian Epic -- _tCHAPTER 12. Narrative Themes in Bulgarian Oral-Traditional Epic and Their Medieval Roots -- _tCHAPTER 13. Central Asiatic and Balkan Epic -- _tBibliography -- _tIndex
506	0		_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star
520			_aAlbert Bates Lord here offers an unparalleled overview of the nature of oral-traditional epic songs and the practices of the singers who composed them. Shaped by the conviction that theory should be based on what singers actually do, and have done in times past, the essays collected here span half a century of Lord's research on the oral tradition from Homer to the twentieth century.Drawing on his extensive fieldwork in living oral traditions and on the theoretical writings of Milman Parry, Lord concentrates on the singers and their art as manifested in texts of performance. In thirteen essays, some previously unpublished and all of them revised for book publication, he explores questions of composition, transmittal, and interpretation and raises important comparative issues. Individual chapters discuss aspects of the Homeric poems, South Slavic oral-traditional epics, the songs of Avdo Metedovic, Beowulf and Anglo-Saxon poetry, the medieval Greek Digenis Akritas and other medieval epics, central Asiatic and Balkan epics, the Finnish Kalevala, and the Bulgarian oral epic.The work of one of the most respected scholars of his generation, Epic Singers and Oral Tradition will be an invaluable resource for scholars and students of myth and folklore, classicists, medievalists, Slavists, comparatists, literary theorists, and anthropologists.
538			_aMode of access: Internet via World Wide Web.
546			_aIn English.
588	0		_aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)
650		0	_aEpic poetry _xHistory and criticism.
650		0	_aOral tradition.
650		0	_aOral-formulaic analysis.
650		4	_aAncient History & Classical Studies.
650		4	_aLiterary Studies.
650		7	_aLITERARY CRITICISM / Ancient & Classical. _2bisacsh
700	1		_aNagy, Gregory _eautore
850			_aIT-RoAPU
856	4	0	_uhttps://doi.org/10.7591/9781501731921
856	4	0	_uhttps://www.degruyter.com/isbn/9781501731921
856	4	2	_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781501731921/original
942			_cEB
999			_c222673 _d222673