000 03939nam a2200613Ia 4500
001 222814
003 IT-RoAPU
005 20250106150920.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 240426t20191986nyu fo d z eng d
020 _a9781501734168
_qPDF
024 7 _a10.7591/9781501734168
_2doi
035 _a(DE-B1597)9781501734168
035 _a(DE-B1597)534227
035 _a(OCoLC)1129161797
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPN94
072 7 _aLIT004180
_2bisacsh
082 0 4 _a820.9/145
_219
084 _aonline - DeGruyter
245 0 0 _aRomanticism and Contemporary Criticism /
_ced. by Michael R. Fischer, Morris Eaves.
264 1 _aIthaca, NY :
_bCornell University Press,
_c[2019]
264 4 _c©1986
300 _a1 online resource (256 p.) :
_b11 halftones
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tPreface --
_tThe Survival of Eros in Poetry --
_tVisible Language: Blake's Wond'rous Art of Writing --
_tOn Edge: The Crossways of Contemporary Criticism --
_tConstruing and Deconstructing --
_tIn Quest of the Ordinary, Texts of Recovery --
_tNotes on Contributors --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThe core of this book is made up of five essays, by distinguished scholars of international reputation, that treat the relation between current literary theory and Romanticism. The book originated in a series of lectures presented at the University of New Mexico in 1983. All but one of the essays are published here for the first time.The contributors are Northrop Frye, W. J. T. Mitchell, J. Hillis Miller, M. H. Abrams, and Stanley Cavell. Frye's essay is a major statement on the backgrounds of Romanticism. W. J. T. Mitchell's contribution takes up, through the composite arts of William Blake, the relation of poetry and painting, writing and printing, criticism and politics. The controversy over deconstruction is the occasion for a matched pair of essays by J. Hillis Miller and M. H. Abrams, advocate and antagonist respectively. In his essay, Abrams makes a definitive statement on his view of deconstruction and its intellectual heritage. The fifth piece, by Stanley Cavell, is the first extended discussion of English and American Romanticism by this major contemporary philosopher. Following each essay is an edited transcript of a question-and-answer session in which the contributor-critic ranges widely and freely over today's critical scene. The sessions make fascinating reading.This book should be of compelJing interest to students of Romanticism as well as to students and scholars interested in the uses and implications of poststructuralist theory.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Apr 2024)
650 0 _aCriticism
_xHistory
_y20th century.
650 0 _aEnglish literature
_y19th century
_xHistory and criticism.
650 0 _aRomanticism.
650 4 _aEngland.
650 4 _aLiterary Studies.
650 7 _aLITERARY CRITICISM / Gothic & Romance.
_2bisacsh
700 1 _aAbrams, M. H.
_eautore
700 1 _aCavell, Stanley
_eautore
700 1 _aEaves, Morris
_ecuratore
700 1 _aFischer, Michael R.
_ecuratore
700 1 _aFrye, Northrop
_eautore
700 1 _aMiller, J. Hillis
_eautore
700 1 _aMitchell, W. J. T.
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7591/9781501734168
856 4 0 _uhttps://www.degruyter.com/isbn/9781501734168
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781501734168/original
942 _cEB
999 _c222814
_d222814