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| 001 | 222892 | ||
| 003 | IT-RoAPU | ||
| 005 | 20250106150921.0 | ||
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| 007 | cr || |||||||| | ||
| 008 | 240826t20191996nyu fo d z eng d | ||
| 020 |
_a9781501735653 _qPDF |
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| 024 | 7 |
_a10.7591/9781501735653 _2doi |
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| 035 | _a(DE-B1597)9781501735653 | ||
| 035 | _a(DE-B1597)533852 | ||
| 035 | _a(OCoLC)1129169556 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
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| 050 | 4 | _aPR6003.E282 | |
| 072 | 7 |
_aLIT013000 _2bisacsh |
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| 082 | 0 | 4 | _a848.91409 |
| 084 | _aonline - DeGruyter | ||
| 100 | 1 |
_aAbbott, H. Porter _eautore |
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| 245 | 1 | 0 |
_aBeckett Writing Beckett : _bThe Author in the Autograph / _cH. Porter Abbott. |
| 264 | 1 |
_aIthaca, NY : _bCornell University Press, _c[2019] |
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| 264 | 4 | _c1996 | |
| 300 | _a1 online resource (216 p.) | ||
| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_acomputer _bc _2rdamedia |
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| 338 |
_aonline resource _bcr _2rdacarrier |
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| 347 |
_atext file _bPDF _2rda |
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| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tOne. Narratricide -- _tTwo. Beckett and Postmodernism -- _tThree. The Wild Beast of Earnestness -- _tFour. Engendering Krapp -- _tFive. Original Mud -- _tSix. Writing Scripts -- _tSeven. Political Beckett -- _tEight. Supernatural Beckett -- _tNine. The Reader in the Autograph -- _tAbbreviations -- _tChronology -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aSuppose that, before he is writing fiction, before he is writing drama, before he is writing any of the autonomous, highly polished pieces that make up his life work, Beckett is writing Beckett. What follows from this? In Beckett Writing Beckett, H. Porter Abbott argues that, by the time he had written Waiting for Godot, Beckett's art had crystallized as a life project keyed to the simultaneous action of writing and reading the self.How does such an interpretive shift change the way we see the salient features of Beckett's art: his extraordinary and persistent assaults on narrative, his restless exploration of genres and media, his attempts to exercise autocratic control over performance and publication, his increasingly musical formal structures, his tireless capacity to invent? How, moreover, does this view relate to the contempt for autobiography so pervasive in Beckett's work?In approaching these questions, Beckett Writing Beckett seeks to redirect current discussion of such concepts as "the author" and "originality." Arguing on several widely contested fronts in Beckett criticism, including such vexed issues as Beckett's postmodernism, his politics, and his relation to his audience, Abbott develops an interpretive method grounded in the concept of"autographical action." The method allows Abbott to articulate the centrality of the inexhaustible strangeness of Beckett's work, and to do so without robbing that strangeness of its power to surprise. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 26. Aug 2024) | |
| 650 | 0 |
_aAuthorship _xPsychological aspects. |
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| 650 | 0 | _aAutobiography in literature. | |
| 650 | 0 | _aSelf in literature. | |
| 650 | 4 | _aLITERARY STUDIES. | |
| 650 | 7 |
_aLITERARY CRITICISM / Drama. _2bisacsh |
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7591/9781501735653 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781501735653 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781501735653/original |
| 942 | _cEB | ||
| 999 |
_c222892 _d222892 |
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