000 03577nam a22005175i 4500
001 223064
003 IT-RoAPU
005 20221214234655.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 220302t20191996nyu fo d z eng d
020 _a9781501738784
_qPDF
024 7 _a10.7591/9781501738784
_2doi
035 _a(DE-B1597)9781501738784
035 _a(DE-B1597)534270
035 _a(OCoLC)1114874133
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aNB135
_b.M38 1996eb
072 7 _aHIS002020
_2bisacsh
082 0 4 _a733
_222
084 _aonline - DeGruyter
100 1 _aMattusch, Carol C.
_eautore
245 1 0 _aClassical Bronzes :
_bThe Art and Craft of Greek and Roman Statuary /
_cCarol C. Mattusch.
264 1 _aIthaca, NY :
_bCornell University Press,
_c[2019]
264 4 _c©1996
300 _a1 online resource (280 p.) :
_b8-page color insert, 172 b&w illustrations, 4 drawings
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tCONTENTS --
_tPreface --
_tAbbreviations --
_t1. Art, Market, and Product --
_t2. Repeated Images --
_t3. Portraits --
_t4. Bronzes of Uncertain Date --
_t6. Torsos --
_t7. Tools of the Trade --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aOne of the world's leading authorities on ancient bronze sculpture, Carol C. Mattusch urges us to discard the terms "Greek original" and "Roman copy" and to adopt instead terms that distinguish unique works from those produced in series and those produced as variations on a theme. She discusses the dating of bronzes based on criteria of technique and style, and considers technical innovations in the art of portraiture. Most controversially, she offers evidence that Greek artists cast bronzes in series based on a single model. Mattusch points out that examples of series castings can be found among the statuettes and vessel attachments from the Geometric and Orientalizing periods. From the Classical period onward, statues also appear to have been cast in series. Certain styles and types of images that achieved widespread popularity during the Hellenistic and Roman periods were produced in large quantities and in several different places. This book will raise important new questions in the field of Classical bronze sculpture. How long might a single model remain in use and how far might casts from it be transported for production? What is the significance of an artist's signature on a work in a series and what influence was wielded by the potential buyer? And, given these issues, what should the criteria be for distinguishing Greek works from Roman ones? Classical Bronzes is generously illustrated, including an eight-page color insert.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)
650 0 _aBronze figurines, Classical.
650 0 _aBronze sculpture, Classical.
650 4 _aAncient History & Classical Studies.
650 7 _aHISTORY / Ancient / Rome.
_2bisacsh
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.7591/9781501738784
856 4 0 _uhttps://www.degruyter.com/isbn/9781501738784
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781501738784/original
942 _cEB
999 _c223064
_d223064