| 000 | 03472nam a22006375i 4500 | ||
|---|---|---|---|
| 001 | 223272 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234703.0 | ||
| 006 | m|||||o||d|||||||| | ||
| 007 | cr || |||||||| | ||
| 008 | 220302t20191994nyu fo d z eng d | ||
| 020 |
_a9781501744686 _qPDF |
||
| 024 | 7 |
_a10.7591/9781501744686 _2doi |
|
| 035 | _a(DE-B1597)9781501744686 | ||
| 035 | _a(DE-B1597)533924 | ||
| 035 | _a(OCoLC)1129186494 | ||
| 040 |
_aDE-B1597 _beng _cDE-B1597 _erda |
||
| 072 | 7 |
_aHIS037020 _2bisacsh |
|
| 082 | 0 | 4 |
_a942.05 _220 |
| 084 | _aonline - DeGruyter | ||
| 245 | 0 | 4 |
_aThe Production of English Renaissance Culture / _ced. by Sharon O'Dair, David Lee Miller, Harold Weber. |
| 264 | 1 |
_aIthaca, NY : _bCornell University Press, _c[2019] |
|
| 264 | 4 | _c©1994 | |
| 300 |
_a1 online resource (320 p.) : _b20 halftones, 1 drawing, 2 tables |
||
| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_acomputer _bc _2rdamedia |
||
| 338 |
_aonline resource _bcr _2rdacarrier |
||
| 347 |
_atext file _bPDF _2rda |
||
| 505 | 0 | 0 |
_tFrontmatter -- _tContents -- _tPreface -- _tIntroduction: Criticism and Cultural Production -- _t1. Agans of the Manor: "Upon Appleton House" and Agrarian Capitalism -- _t2. State, Church, and the Disestablishment of Magic: Orthodoxy and Dissent in Post-Reformation England and France -- _t3. Legal Proofs and Corrected Readings: Press-Agency and the New Bibliography -- _t4. Bestial Buggery in A Midsummer Night's Dream -- _t5. News from the New World: Miscegenous Romance in Aphra Behn's Oroonoko and The Widow Ranter -- _t6. Dead Man's Treasure: The Cult of Thomas More -- _t7. Treasures of Culture: Titus Andronicus and Death by Hanging -- _t8. "The picture of Nobody": White Cannibalism in The Tempest -- _t9. Allegory, Materialism, Violence -- _tNotes on Contributors -- _tIndex |
| 506 | 0 |
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star |
|
| 520 | _aWhat is the relationship between the cultural artifacts of Renaissance England and the processes of production, exchange, and accumulation through which they were brought into being? Pursuing this question, a group of distinguished scholars from both sides of the Atlantic exemplifies a number of different approaches to the writing of cultural history. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 |
_aRenaissance _zEngland _vCongresses. |
|
| 650 | 4 | _aMedieval & Renaissance Studies. | |
| 650 | 7 |
_aHISTORY / Renaissance. _2bisacsh |
|
| 700 | 1 |
_aBarker, Francis _eautore |
|
| 700 | 1 |
_aBoehrer, Bruce Thomas _eautore |
|
| 700 | 1 |
_aFerguson, Margaret _eautore |
|
| 700 | 1 |
_aHalpern, Richard _eautore |
|
| 700 | 1 |
_aHulse, Clark _eautore |
|
| 700 | 1 |
_aKendrick, Christopher _eautore |
|
| 700 | 1 |
_aLachmann, Richard _eautore |
|
| 700 | 1 |
_aLoewenstein, Joseph F. _eautore |
|
| 700 | 1 |
_aMiller, David Lee _eautore _ecuratore |
|
| 700 | 1 |
_aO'Dair, Sharon _ecuratore |
|
| 700 | 1 |
_aO’Dair, Sharon _eautore |
|
| 700 | 1 |
_aTeskey, Gordon _eautore |
|
| 700 | 1 |
_aWeber, Harold _eautore _ecuratore |
|
| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7591/9781501744686 |
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781501744686 |
| 856 | 4 | 2 |
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781501744686/original |
| 942 | _cEB | ||
| 999 |
_c223272 _d223272 |
||