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| 001 | 223293 | ||
| 003 | IT-RoAPU | ||
| 005 | 20221214234704.0 | ||
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_a9780801486937 _qprint  | 
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| 020 | 
_a9781501744945 _qPDF  | 
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_a10.7591/9781501744945 _2doi  | 
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| 035 | _a(DE-B1597)9781501744945 | ||
| 035 | _a(DE-B1597)533820 | ||
| 035 | _a(OCoLC)1121055226 | ||
| 040 | 
_aDE-B1597 _beng _cDE-B1597 _erda  | 
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_aPA3201 _b.W57 1998eb  | 
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| 072 | 7 | 
_aHIS002010 _2bisacsh  | 
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| 082 | 0 | 4 | 
_a792/.0938 _222  | 
| 084 | _aonline - DeGruyter | ||
| 100 | 1 | 
_aWise, Jennifer _eautore  | 
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| 245 | 1 | 0 | 
_aDionysus Writes : _bThe Invention of Theatre in Ancient Greece / _cJennifer Wise.  | 
| 264 | 1 | 
_aIthaca, NY :  _bCornell University Press, _c[2019]  | 
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| 264 | 4 | _c©2000 | |
| 300 | 
_a1 online resource (288 p.) : _b6 drawings  | 
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| 336 | 
_atext _btxt _2rdacontent  | 
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| 337 | 
_acomputer _bc _2rdamedia  | 
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| 338 | 
_aonline resource _bcr _2rdacarrier  | 
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| 347 | 
_atext file _bPDF _2rda  | 
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| 505 | 0 | 0 | 
_tFrontmatter --  _tContents -- _tAcknowledgments -- _tIntroduction: The Theoretical Problem -- _tChapter 1: The ABCs Of Acting -- _tChapter 2: The Student Body -- _tChapter 3: Courtroom Dramas -- _tChapter 4: Economies Of Inscription -- _tConclusion: Theatre And Technology -- _tBibliography -- _tIndex  | 
| 506 | 0 | 
_arestricted access _uhttp://purl.org/coar/access_right/c_16ec _fonline access with authorization _2star  | 
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| 520 | _aWhat is the nature of theatre's uneasy alliance with literature? Should theatre be viewed as a preliterate, ritualistic phenomenon that can only be compromised by writing? Or should theatre be grouped with other literary arts as essentially'textual,'with even physical performance subsumed under the aegis of textuality? Jennifer Wise, a theatre historian and drama theorist who is also an actor, director, and designer, responds with a challenging and convincing reconstruction of the historical context from which Western theatre first emerged.Wise believes that a comparison of the performance style of oral epic with that of drama as it emerged in sixth-century Greece shows the extent to which theatre was influenced by literate activities relatively new to the ancient world. These activities, foreign to Homer yet familiar to Aeschylus and his contemporaries, included the use of the alphabet, the teaching of texts in schools, the public inscription of laws, the sending and receiving of letters, the exchange of city coinage, and the making of lists. Having changed the way cultural material was processed and transmitted, the technology of writing also led to innovations in the way stories were told, and Wise contends that theatre was the result. However, the art of drama appeared in ancient Greece not only as a beneficiary of literacy but also in defiance of any tendency to see textuality as an end in itself. | ||
| 530 | _aIssued also in print. | ||
| 538 | _aMode of access: Internet via World Wide Web. | ||
| 546 | _aIn English. | ||
| 588 | 0 | _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022) | |
| 650 | 0 | 
_aGreek drama _xHistory and criticism _xTheory, etc.  | 
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| 650 | 0 | 
_aInvention (Rhetoric) _xHistory _yTo 1500.  | 
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| 650 | 0 | 
_aLiteracy _zGreece _xHistory _yTo 1500.  | 
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| 650 | 0 | 
_aLiterary form _xHistory _yTo 1500.  | 
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| 650 | 0 | 
_aTheater _zGreece _xHistory _yTo 500.  | 
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| 650 | 0 | 
_aWritten communication _zGreece _xHistory _yTo 1500.  | 
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| 650 | 4 | _aAncient History & Classical Studies. | |
| 650 | 4 | _aPerforming Arts & Drama. | |
| 650 | 7 | 
_aHISTORY / Ancient / Greece. _2bisacsh  | 
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| 850 | _aIT-RoAPU | ||
| 856 | 4 | 0 | _uhttps://doi.org/10.7591/9781501744945 | 
| 856 | 4 | 0 | _uhttps://www.degruyter.com/isbn/9781501744945 | 
| 856 | 4 | 2 | 
_3Cover _uhttps://www.degruyter.com/document/cover/isbn/9781501744945/original  | 
| 942 | _cEB | ||
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_c223293 _d223293  | 
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