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008 200723t20161996pau fo d z eng d
019 _a(OCoLC)980224539
020 _a9780812233124
_qprint
020 _a9781512801668
_qPDF
024 7 _a10.9783/9781512801668
_2doi
035 _a(DE-B1597)9781512801668
035 _a(DE-B1597)475910
035 _a(OCoLC)979781287
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPS310.M57
072 7 _aLIT004290
_2bisacsh
082 0 4 _a811.5099287
084 _aonline - DeGruyter
245 0 0 _aGendered Modernisms :
_bAmerican Women Poets and Their Readers /
_cThomas Travisano, Margaret Dickie.
250 _aReprint 2016
264 1 _aPhiladelphia :
_bUniversity of Pennsylvania Press,
_c[2016]
264 4 _c©1996
300 _a1 online resource (328 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
505 0 0 _tFrontmatter --
_tContents --
_tIntroduction --
_t1. Recovering the Repression in Stein’s Erotic Poetry --
_t2. History as Conjugation: Stein’s Stanzas in Meditation and the Literary History of the Modernist Long Poem --
_t3. H. D., Modernism, and the Transgressive Sexualities of Decadent-Romantic Platonism --
_t4. Pornopoeia, the Modernist Canon, and the Cultural Capital of Sexual Literacy: The Case of H. D. --
_t5. “So As to Be One Having Some Way of Being One Having Some Way of Working”: Marianne Moore and Literary Tradition --
_t6. “The Frigate Pelican” ’s Progress: Marianne Moore’s Multiple Versions and Modernist Practice --
_t7. Jouissance and the Sentimental Daughter: Edna St. Vincent Millay --
_t8. Antimodern, Modern, and Postmodern Millay: Contexts of Revaluation --
_t9. Laura (Riding) Jackson’s “Really New” Poem --
_t10. The Elizabeth Bishop Phenomenon --
_t11. Muriel Rukeyser and Her Literary Critics --
_t12. “The Buried Life and the Body of Waking”: Muriel Rukeyser and the Politics of Literary History --
_t13. Whose Canon? Gwendolyn Brooks: Founder at the Center of the “Margins” --
_tContributors --
_tIndex --
_tBackmatter
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThirteen original essays on Gertrude Stein, H. D., Marianne Moore, Edna St. Vincent Millay, Laura (Riding) Jackson, Elizabeth Bishop, Muriel Rukeyser, and Gwendolyn Brooks demonstrate how these women expand the social, textual, and political boundaries of modernism. The collection places these poets in the context of their times, examining the conditions that helped shape their vivid and diverse poetic careers and reconsidering some of the assumptions that have led to their exclusion from the main narratives of modernist poetry. Ultimately, the aim is to enlarge the literary history of the movement--for gendered, modernism extends backward to the first years of the century, and forward to the beginnings of postmodernism in the 1960s.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)
650 0 _aAmerican poetry
_xWomen authors
_xHistory and criticism.
650 0 _aAmerican poetry
_y20th century
_xHistory and criticism.
650 0 _aAuthors and readers
_zUnited States
_xHistory
_y20th century.
650 0 _aBooks and reading
_zUnited States
_xHistory
_y20th century.
650 0 _aCanon (Literature)
650 0 _aModernism (Literature)
_zUnited States.
650 0 _aWomen and literature
_zUnited States
_xHistory
_y20th century.
650 7 _aLITERARY CRITICISM / Women Authors.
_2bisacsh
700 1 _aDickie, Margaret
_ecuratore
700 1 _aTravisano, Thomas
_ecuratore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.9783/9781512801668
856 4 0 _uhttps://www.degruyter.com/isbn/9781512801668
856 4 2 _3Cover
_uhttps://www.degruyter.com/cover/covers/9781512801668.jpg
942 _cEB
999 _c224065
_d224065