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008 210927t20161943pau fo d z eng d
019 _a(OCoLC)980249717
020 _a9781512801910
_qprint
020 _a9781512801927
_qPDF
024 7 _a10.9783/9781512801927
_2doi
035 _a(DE-B1597)9781512801927
035 _a(DE-B1597)476386
035 _a(OCoLC)979625025
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aPQ6437
072 7 _aLCO008060
_2bisacsh
082 0 4 _a860.81
084 _aonline - DeGruyter
245 0 1 _a"Propalladia" and Other Works of Bartolome de Torres Naharro, Volume 4 :
_bTorres Haharro and the Drama of the Rensaissance /
_ced. by Joseph E. Gillet, Otis H. Green.
250 _aReprint 2016
264 1 _aPhiladelphia :
_bUniversity of Pennsylvania Press,
_c[2016]
264 4 _c©1943
300 _a1 online resource (664 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aAnniversary Collection
505 0 0 _tFrontmatter --
_tFOREWORD --
_tCONTENTS --
_tPART ONE. THE PAST --
_tI. PRIMITIVISM --
_tII. MEDIEVAL ATTITUDES --
_tPART TWO. THE RENAISSANCE --
_tI. HUMAN ATTITUDES --
_tII. HISTORICAL PERSPECTIVE --
_tIII. MAN AND THE UNIVERSE --
_tIV. THE DISCOVERY OF THE EARTH --
_tV. THE DISCOVERY OF MAN --
_tVI. MAN AND NATURE --
_tVII. LOVE --
_tVIII. MAN AND SOCIETY: THE SOCIAL PROTEST --
_tPART THREE. THE MAN AND THE ARTIST --
_tI. BIOGRAPHICAL NOTICE --
_tII. THE POEMS --
_tIII. TORRES NAHARRO'S DRAMATURGY --
_tIV. CHRONOLOGY --
_tV. THE PLAYS --
_tVI. DIÁLOGO DEL NASCIMIENTO. ADDICIÓN DEL DIÁLOGO --
_tVII. TORRES NAHARRO AND THE SPANISH DRAMA --
_tBIBLIOGRAPHY --
_tINDEX
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aIn this fourth volume of Joseph E. Gillet's monumental study, Propalladia and Other Works of Bartolomé De Torres Naharro, all students of Renaissance drama will find a wealth of material on the origins of the modern European theater.Torres Naharro created the cloak-and-sword play almost a century before Lope de Vega. The common­places of romantic comedy appeared, for the first time on any stage, in his Comedia Ymenea published at Naples in 1517. Two of his works, the Soldadesca and the Tinellaria-evocations of the roistering life of the barracks and of a cardinal's scullery-are remarkable examples of dramatic realism avant Ia lettre. The influence of Torres Naharro and his work on the Spanish drama of the sixteenth century was all pervasive.In this volume, all the material gleaned by Dr. Gillet in extensive research is brought into clear focus to show Torres Naharro as a man of the Renaissance and a man of the theater. Of the greatest interest is the exposition of his intuition of the distinction between poetic and historic truth-commedias a fantasia and a noticia-long before the recovery of the true text of Aristotle's Poetics, and of the substratum of primitivism in many of his plays: ritual societies, the medicine man, the right to tribute, social discipline, name changing, loss of memory, sports, games, acrobatics, sorcery, riddles, genealogies, weddings, propitiation and death song, resuscitation, license and chastity, and so on. And this dramatic activity occurred early, antedating most of the Italian plays of the sixteenth century.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
650 7 _aLITERARY COLLECTIONS / European / Spanish & Portuguese.
_2bisacsh
653 _aHistory.
653 _aLiterature.
653 _aMedieval and Renaissance Studies.
700 1 _aGillet, Joseph E.
_ecuratore
700 1 _aGreen, Otis H.
_ecuratore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.9783/9781512801927
856 4 0 _uhttps://www.degruyter.com/isbn/9781512801927
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781512801927/original
942 _cEB
999 _c224084
_d224084