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008 220424t20152002pau fo d z eng d
019 _a(OCoLC)1013949103
020 _a9780812236248
_qprint
020 _a9781512803815
_qPDF
024 7 _a10.9783/9781512803815
_2doi
035 _a(DE-B1597)9781512803815
035 _a(DE-B1597)463582
035 _a(OCoLC)940673372
040 _aDE-B1597
_beng
_cDE-B1597
_erda
050 4 _aML82
072 7 _aLIT011000
_2bisacsh
082 0 4 _a809.1/4099287/0902
_222
084 _aonline - DeGruyter
245 0 0 _aMedieval Woman's Song :
_bCross-Cultural Approaches /
_ced. by Anne L. Klinck, Ann Marie Rasmussen.
264 1 _aPhiladelphia :
_bUniversity of Pennsylvania Press,
_c[2015]
264 4 _c©2002
300 _a1 online resource (288 p.)
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aThe Middle Ages Series
505 0 0 _tFrontmatter --
_tContents --
_tAbbreviations --
_tIntroduction --
_t1. Sappho and Her Daughters: Some Parallels Between Ancient and Medieval Woman's Song --
_t2. Ides . . . geomrode giddum: The Old English Female Lament --
_t3. Women's Performance of the Lyric Before 1500 --
_t4. Ca no soe joglaresa: Women and Music in Medieval Spain's Three Cultures --
_t5. Feminine Voices in the Galician- Portuguese cantigas de amigo --
_t6. Sewing like a Girl: Working Women in the chansons de toile --
_t7. Fictions of the Female Voice: The Women Troubadours --
_t8. The Conception of Female Roles in the Woman's Song of Reinmar and the Comtessa de Dia --
_t9. Reason and the Female Voice in Walther von der Vogelweide's Poetry --
_t10. Ventriloquisms When Maidens Speak in English Songs, c. 1300-1550 --
_tNotes --
_tContributors --
_tIndex --
_tAcknowledgments
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aThe number of surviving medieval secular poems attributed to named female authors is small, some of the best known being those of the trobairitz the female troubadours of southern France. However, there is a large body of poetry that constructs a particular textual femininity through the use of the female voice. Some of these poems are by men and a few by women (including the trobairitz); many are anonymous, and often the gender of the poet is unresolvable. A "woman's song" in this sense can be defined as a female-voice poem on the subject of love, typically characterized by simple language, sexual candor, and apparent artlessness.The chapters in Medieval Woman's Song bring together scholars in a range of disciplines to examine how both men and women contributed to this art form. Without eschewing consideration of authorship, the collection deliberately overturns the long-standing scholarly practice of treating as separate and distinct entities female-voice lyrics composed by men and those composed by women. What is at stake here is less the voice of women themselves than its cultural and generic construction.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 24. Apr 2022)
650 0 _aVocal music
_y15th century
_xHistory and criticism.
650 0 _aVocal music
_y500-1400
_xHistory and criticism.
650 0 _aWomen musicians.
650 0 _aWomen singers.
650 7 _aLITERARY CRITICISM / Medieval.
_2bisacsh
653 _aCultural Studies.
653 _aGender Studies.
653 _aLiterature.
653 _aMedieval and Renaissance Studies.
653 _aWomen's Studies.
700 1 _aBelanoff, Pat
_eautore
700 1 _aBennett, Judith M.
_eautore
700 1 _aBoynton, Susan
_eautore
700 1 _aBums, E. Jane
_eautore
700 1 _aCohen, Judith R.
_eautore
700 1 _aCorral, Esther
_eautore
700 1 _aKasten, Ingrid
_eautore
700 1 _aKlinck, Anne L.
_eautore
_ecuratore
700 1 _aRasmussen, Ann Marie
_eautore
_ecuratore
700 1 _aTomaryn Bruckner, Matilda
_eautore
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.9783/9781512803815
856 4 0 _uhttps://www.degruyter.com/isbn/9781512803815
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781512803815/original
942 _cEB
999 _c224206
_d224206