000 03658nam a22005295i 4500
001 224361
003 IT-RoAPU
005 20221214234747.0
006 m|||||o||d||||||||
007 cr || ||||||||
008 210927t20161989pau fo d z eng d
019 _a(OCoLC)980251239
020 _a9780812275629
_qprint
020 _a9781512806267
_qPDF
024 7 _a10.9783/9781512806267
_2doi
035 _a(DE-B1597)9781512806267
035 _a(DE-B1597)476067
035 _a(OCoLC)979625231
040 _aDE-B1597
_beng
_cDE-B1597
_erda
072 7 _aMUS050000
_2bisacsh
084 _aonline - DeGruyter
100 1 _aRothfarb, Lee A.
_eautore
245 1 0 _aErnst Kurth as Theorist and Analyst /
_cLee A. Rothfarb.
250 _aReprint 2016
264 1 _aPhiladelphia :
_bUniversity of Pennsylvania Press,
_c[2016]
264 4 _c©1989
300 _a1 online resource (264 p.) :
_b160 illus.
336 _atext
_btxt
_2rdacontent
337 _acomputer
_bc
_2rdamedia
338 _aonline resource
_bcr
_2rdacarrier
347 _atext file
_bPDF
_2rda
490 0 _aStudies in the Criticism and Theory of Music
505 0 0 _tFrontmatter --
_tContents --
_tPreface and Acknowledgments --
_t1. Introduction --
_t2. Fortspinnung --
_t3. Developmental Motives --
_t4. Polyphonic Melody --
_t5. Kurth's Historical View of Harmony --
_t6. Kurth's View of Romantic Harmony --
_t7. Sensuous Harmony --
_t8. Energetic Harmony --
_t9. Kurth's Concept of Form --
_t10. Conclusion --
_tAppendix: List of Musical Examples --
_tBibliography --
_tIndex
506 0 _arestricted access
_uhttp://purl.org/coar/access_right/c_16ec
_fonline access with authorization
_2star
520 _aErnst Kurth as Theorist and Analyst is the first book length study devoted to the writings of one of this century's most important music theorists. In contrast to previous discussions, Lee A. Rothfarb's study explains Kurth's theories in light of his analyses of specific musical examples.Unlike many of his contemporaries, Kurth approached music primarily from a cognitive rather than a purely technical viewpoint. In a unique kind of experiential analysis, he examined the psychological foundations of counterpoint, harmony, and form, and considered the affective, as opposed to solely structural or syntactic, effects of melody, chord, interval, and tone.The introduction provides a biographical sketch of Kurth, based on archival research and personal interview with his widow, son, and many of his doctoral students. Rothfarb also discusses the intellectual currents of the late nineteenth and early twentieth centuries, both musical and nonmusical, which shaped Kurth's outlook. Eight chapters summarize the main ideas of Grundlagen des linearen Kontrapunkts and Romantische Harmonik and show the directions Kurth took in his later works, Bruckner and Musikpsychologie. A final chapter identified his influence on several of his well-known contemporaries.Ernst Kurth as Theorist and Analyst will interest music theorists, musicologists, and advanced students of music theory.
530 _aIssued also in print.
538 _aMode of access: Internet via World Wide Web.
546 _aIn English.
588 0 _aDescription based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
650 7 _aMUSIC / Individual Composer & Musician.
_2bisacsh
653 _aMusic.
850 _aIT-RoAPU
856 4 0 _uhttps://doi.org/10.9783/9781512806267
856 4 0 _uhttps://www.degruyter.com/isbn/9781512806267
856 4 2 _3Cover
_uhttps://www.degruyter.com/document/cover/isbn/9781512806267/original
942 _cEB
999 _c224361
_d224361